Home » Search Center » Results: Interview
Results for "Interview"
Dave Brubeck: One Year
Today, one year following Dave Brubeck’s death, a new website celebrates his life and music. And, we relay an announcement that one of the finest jazz repertory orchestras will broadcast a program of Brubeck compositions. As John Bolger’s DaveBrubeckJazz.com debuts, the Irish Brubeck maven has unveiled an impressive site. In the “About” section, he outlines his ...
Jon Cowherd: Mercy, Mercy Me
by Ian Patterson
There's more to pianist Jon Cowherd than meets the eye. Best known for his fifteen-year tenure in the Brian Blade Fellowship--with whom he has recorded four outstanding albums--Cowherd has also played and recorded with singers such as Rosanne Cash, Cassandra Wilson, Iggy Pop and Joni Mitchell. Though he's led his own small groups in New York ...
Paul Augustin: Putting Penang On The Jazz Map
by Ian Patterson
Most jazz festival directors would agree that survival is the name of the game in the first years. Unless a festival has the financial backing of a major sponsor it can be a knife edge existence attempting to rustle up private sponsorship and the kind of good will that is required in abundance to meet the ...
Dwayne Burno: Tradition
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth] Dwayne Burno is one of the great bass players of his generation. Originally from Philadelphia, Burno has been on the New York and international jazz scene since 1990. He has played with so many of the great legends of jazz: Betty ...
Interview: Alysa Haas
Q: What started your love for music, and how old were you at the time? A: I have always been surrounded by music. My grandmother, who unfortunately passed before I was born, was a Yiddish folk singer. My mother Bira Rabushka is a violinist; my father Georges Haas was a world famous oboist; and my stepfather ...
Nancy Wilson: Jazz Scene USA '62
In 1962, Nancy Wilson was still being positioned by Capitol Records as a jazz-pop singer. In the years after she signed with the label in 1959, her first five albums were examples of this hybrid: Like in Love, with Willie Smith on alto sax, Something Wonderful (1960) with Ben Webster on tenor sax, The Swingin's Mutual ...
Nicholas Payton: Sketches of Brilliance
by Nicholas F. Mondello
Trumpeter Nicholas Payton has distinguished himself over the decades as a continually evolving artist of significant vision, artistry and focus. He's a musician who knows, respects and displays his roots, knows where he's at now and where he's going creatively. Under his own BMF Records label, Payton recently released Sketches of Spain a new recording with ...
Brian Landrus: The Low End Theory
by Daniel Lehner
Specialists don't usually have the luxury of controlling much of their destiny. For a low woodwind expert like Brian Landrus, it would be of little surprise to anyone to find that, though he'd have the freedom to experiment with sounds and timbres for his own records, he would be little more than a hired gun for ...
Arun Ghosh: A Very British-Asian Jazz Head-Space
by Ian Patterson
If clarinetist/composer Arun Ghosh continues as he's going there's a danger he'll soon dethrone saxophonist Gilad Atzmon as the UK's hardest-working jazz musician. In between gigs, festival appearances and European tours, Ghosh is busy writing music for theatre, film, dance and multi-media events. His relatively short recording career has been marked by a refusal to stand ...
Steve Wilson: Lifetime of Study
by George Colligan
Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth. I'm very happy to have the opportunity to interview a musician that I've worked with a lot over the years. When people say that a musician has worked with everybody in the business, Steve Wilson has literally worked with everyone in jazz. ...


