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Fabian Almazan: Espejos
by DanMichael Reyes
Intent is one of those intangible qualities that make a jazz musician. While traits like technical facility, memory, harmonic and rhythmic sophistication play a huge part in the career and development of the aspiring jazz artist, intention is the X-factor that can make a performance special. In an art form that demands spontaneity and thrives within ...
Dan Loomis: On The Wee Trio and "Live At The Bistro"
by Fiona Ord-Shrimpton
The Wee Trio, comprising Dan Loomis: bass; James Westfall: vibraphone; Jared Schonig: drums, are a band to keep looking out for. Having released four impressive albums already, including the recent, Live at the Bistro, their star continues to burn slowly--as all true stars are bound. The Wee Trio is a component of a new musical breed ...
Jim Beard: Serving The Music
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth ] Joe Zawinul said, Jim Beard is my favorite keyboard player besides myself." I think that's a pretty high compliment, don't you? Jim Beard has been on the scene since the 1980s with a resume that reads like a sideman's dream: ...
Josh Pollock: More Than Just The Notes
by Anthony Shaw
Josh Pollock may seem a strange guitarist to be featured in a jazz magazine in as much as a large body of his music is distinctly rock-worthy. Indeed in this interview he explicitly avows the necessity for rock bands, and especially ones in which he is involved such as 3 Leafs and Citay, to really rock! ...
Interview: Carol Stevens, Part 2
Singer Carol Stevens has a terrific phone voice. It's identical to her singing voice in the late '50s—husky, feminine and full of character. Naturally, it was a pleasure interviewing her—both for the content and just to hear her articulate her points. Carol in the '60s and beyond continued to sing at clubs in New York and ...
Rowles on Tatum
Many stories about jazz heroes are apocryphal. This is one is true. One night in the late 1930s, Fats Waller And His Rhythm were playing at the Yacht Club on 52nd Street in Manhattan. Art Tatum, the other half of the Tatum-Waller mutual admiration society, came in to listen. When he first moved to New York, ...
"Does Anyone Remember Conrad Gozzo?"
In response to the Rifftides post about the death of Al Porcino, reader Dick Vartanian sent a comment: I remember Al Porcino well and had deep regard for his playing. But does anyone remember a equally great countryman of his named Conrad Gozzo? Jack Greenberg responded with this: Everyone who is my age (70 years old) ...
E. Taylor Atkins: Let's Call This... Our Jazz?
by Ian Patterson
African-American vernacular or universal language? Symbol of freedom and equality, or one of nationalist ideals and bourgeois elitism? Folk music or high art? Jazz, since its earliest days, has represented many things to many people. For Professor E. Taylor Atkins, such binary ways of thinking rather over-simplify the arguments. Whereas an either or way of thinking ...
Interview: Carol Stevens, Part 1
About a year ago, I came across a fascinating album from 1957 by a female vocalist named Carol Stevens. The album was That Satin Doll (Atlantic). What made the album so interesting was that the singer spent a few songs using her voice as an instrument, tonally improvising along to the melody. Her timbre also was ...
Pandora Co-Founder Tim Westergren Opens up on Topics Like: Who's Really Screwing Artists?
Pandora Co-founders Tim Westergren and Tom Conrad recently sat down with PandoDaily's Sarah Lacy for a PandoMonthly Fireside Chat. The series is ongoing, featuring major figures in tech, and Lacy typically includes some difficult questions in the process of giving entrepreneurs a platform to open up. Tim Westergren's responses are currently being featured and he discusses ...


