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Album

Slow Pieces for Aki

Label: Intakt Records
Released: 2020
Track listing: Haru No Yuki (Frühling Im Schnee); Improvisation I; Torso; Improvisation II; Improvisation III; Tell You; Improvisation IV; Cleo; Improvisation V; Naniga Nandemo; Improvisation VI; A-Blues; Blues b; Improvisation VII; I Told You; Improvisation VIII; Improvisation IX; Dydo; Improvisation X; Frage Nicht; Zycado.

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Article: Album Review

Tim Berne's Snakeoil: The Deceptive 4 - Live

Read "The Deceptive 4 - Live" reviewed by John Sharpe


With the sixth entry in their discography, alto saxophonist Tim Berne offers a progress report of sorts on his band Snakeoil. The Deceptive 4 Live collects together two cracking sets, one from a brace of appearances in NYC in 2009/2010 before Berne had even settled on the group name, and the other a latter-day outing from ...

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Article: Album Review

Alexander von Schlippenbach: Slow Pieces For Aki - Piano Solo

Read "Slow Pieces For Aki - Piano Solo" reviewed by John Sharpe


At the behest of his wife Aki Takase, fellow pianist Alexander von Schlippenbach presents 21 short unaccompanied tracks on Slow Pieces For Aki. It is only his fourth solo record in a career spanning over 50 years, during which he has blazed trails with both large ensembles, notably Globe Unity Orchestra, and small groups, in particular ...

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Article: Album Review

OM: It's About Time

Read "It's About Time" reviewed by Ian Patterson


In 1982, after five albums in ten years, Swiss free-jazz quartet OM called it a day—its four members, Christy Doran, Fredy Studer, Urs Leimgruber and Bobby Burri going their separate ways. A supposed one-off reunion in 2007 to open an exhibition on the youth movement of the 1960s and 1970s led to a successful series of ...

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Article: Album Review

Tim Berne: The Deceptive 4—Live

Read "The Deceptive 4—Live" reviewed by Mark Corroto


The difference between disc one and disc two of Tim Berne's Snakeoil release The Deceptive 4, two live recordings made eight years apart, might be the same difference between Miles Davis' first and second great quintets. Where Davis' The Legendary Prestige Quintet Sessions (Prestige, 2006) with John Coltrane from 1955-56 are stellar, they lack the complex ...

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Song of the Day

Open City

Album:
By
Label: Intakt Records
Released: 2020
Duration: 05:01

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Article: Album Review

Alexander Hawkins, Tomeka Reid: Shards and Constellations

Read "Shards and Constellations" reviewed by Neri Pollastri


Il fulminante incontro tra una coppia di improvvisatori e ricercatori tra i più in vista a livello internazionale, ben noti anche da noi per le collaborazioni con musicisti italiani, quali sono il pianista inglese Alexander Hawkins e la violoncellista statunitense Tomeka Reid, dà vita a cinquanta minuti di una musica perlopiù inquieta, imprevedibilmente serpeggiante e interamente ...

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Article: Album Review

James Brandon Lewis: Molecular

Read "Molecular" reviewed by Dan McClenaghan


Saxophonist James Brandon Lewis offers up an introductory statement in the album packaging as a preface to the liner notes of Molecular. His train of thought is difficult to follow. He leaves an impression of not being a “normal" person, in the best possible sense of that assessment. It is the impression of a deep-thinking artist ...

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Article: Album Review

Alexander von Schlippenbach: Slow Pieces For Aki: Piano Solo

Read "Slow Pieces For Aki: Piano Solo" reviewed by Dan McClenaghan


Pianist Alexander von Schlippenbach began recording in the 1950s. Twenty years into the new millennium, he continues to do so prolifically, with twenty-five albums under his own name listed on Wikipedia--a seeming short shrift; his three solo albums on the Intakt Records label from 2005 and 2012 somehow didn't make the list, suggesting there are more. ...

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Article: Album Review

Tim Berne's Snakeoil: The Deceptive 4—Live

Read "The Deceptive 4—Live" reviewed by Dan McClenaghan


Alto saxophonist Tim Berne has given his various ensembles some cool names over the years. There was Big Satan, Bloodcount, Science Friction, Hard Cell. Then, in 2012, on his first recording for ECM Records, he introduced his group (and the album) Snakeoil. The band has become, since then, his main--though certainly not his only--means of artistic ...


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