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John O'Gallagher Trio at Triskel Arts Center, Cork
by Ian Patterson
John O'Gallagher Trio Triskel Arts Center Cork, Ireland March 22, 2014 Had there been a stage invasion--a historically rare occurrence at a jazz gig--saxophonist John O'Gallagher's trio, armed with its sticks, wood and metal--and with the ace up its sleeves of the high ground--would no doubt have repelled the waves. ...
Emil Viklicky & George Mraz: Mraz & Viklicky: Together Again
by Ian Patterson
In European jazz the assimilation of folkloric influences has become commonplace as the American vernacular--or more specifically the Great American Songbook--exerts less of a hold. Czech musicians pianist Emil Viklický and bassist George Mraz's collaborations on Morava (Fantasy/Milestone 2001)--with drummer Billy Hart and singer Zuzana Lapcikova--and Moravian Gems (Cube-Métier 2007) with singer/violinist Iva Bittova and drummer ...
Brilliant Corners Lights Up Belfast Jazz Panorama
Brilliant news for Belfast jazz lovers! Brilliant Corners, the city’s jazz festival is back for its eagerly anticipated second edition from March 26th to 29th and it promises to be an absolute cracker. Local musicians of the highest caliber will highlight the strength of the Irish jazz scene while international acts attest to the pulling power ...
Marc Halbheer's 5th Edition: Confidence in Symmetry
by Ian Patterson
Swiss drummer/bandleader Marc Halbheer couldn't be accused of lumping his eggs in one basket. His more orthodox projects encompass a jazz standards quartet, and the contemporary Trio Edition with bassist Arild Andersen and guitarist Christy Doran. Halbheer's more exotic collaborations embrace the folk musics of China, Central Asia, the Alps and the Balkans in genre-defying fusions. ...
MoFrancesco Quintetto: Maloca
by Ian Patterson
Italian bassist Francesco Valente's fascination with the culture of Brazil inspired the title of this album. A moloca is an Amazonian ancestral longhouse and a habitat for sharing knowledge, stories and music. In this case, the communal home is his adopted Lisbon and Valente's family is a multi-national quintet whose musical ancestors have bequeathed the jazz ...
Cirrus: Méli Mélo
by Ian Patterson
Norwegian group Cirrus started life as a drummerless trio when singer Eva Bjerga Haugen, saxophonist Inge Weatherhead Breistein and bassist Theodor Barsnes Onarheim met while studying performance and improvisation at the University of Stavanger. The final piece of the puzzle fell into place when teacher and drummer Stein Inge Braekhus joined for this debut recording, bringing ...
Jazz Snobs Funk Addicts: Season 2: The Return of JSFA!!
by Ian Patterson
Jazz Snobs Funk Addicts is a Seoul-based sextet co-led by pianist/keyboardist Jiyoung Lee and bassist Eunchang Choi. Its 2009 eponymous debut mixed electro-acoustic jazz-funk and mellifluous contemporary jazz and was the enjoyable calling card of a band starting out. JSFA has spent the last four years honing its sound on stage, resulting in greater collective cohesion, ...
John McLaughlin & The 4th Dimension Begin 2014 Asian Tour
Legendary English guitarists John McLaughlin and The 4th Dimension kick off a 15-date Asian tour that will take this highly acclaimed group through nine countries. Beginning on March 11th in Singapore, the 4th Dimension’s tour will take in some of Asia’s most iconic cities before culminating in a special solidarity concert in The Palestinian Territories one ...
Greg Cohen: Golden State
by Ian Patterson
Though best known for his twenty-plus years in saxophonist John Zorn's Masada, bassist Greg Cohen's career has been marked by the diversity of his collaborations, from the carnivalesque Tom Waits and folkster Donovan, to rocker Lou Reed and saxophonist Ornette Coleman. So, in guitarist Bill Frisell--himself no stranger to experimentation--Cohen has found a most simpatico partner. ...
Franklin Kiermyer: Joy And Consequence
by Ian Patterson
The tradition. It's common jazz terminology. What does it mean, though, to be “in the tradition"? The term usually confers on the musician a stamp of authenticity and infers working knowledge of the dominant idiom, as typified by the jazz cannon. It also perhaps implies a certain orthodoxy. It's strange to think, however, that a music ...
