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Sun Ra Arkestra: Seductive Fantasy
by Ian Patterson
It seems entirely fitting that “Seductive Fantasy," the single from the Sun Ra Arkestra's first studio album in twenty years, should be a reworking of an old song, one that dates back over forty years to On Jupiter (El Saturn, 1979). With Sun Ra it was ever thus; old is new and new is old. The ...
Verneri Pohjola: The Dead Don't Dream
by Ian Patterson
The photo on the front cover shows a levitating Verneri Pohjola. A rising star? That tag might have been appropriate at the time of Aurora (ACT Music, 2009), but the brilliant subsequent albums Bullhorn (2015) and Pekka (2017), both on Edition Records, confirmed the Finnish trumpeter's arrival at the top table of European jazz. Pohjola's distinctive ...
Playing For Keeps: Improvisation In The Aftermath
by Ian Patterson
Playing For Keeps: Improvisation In The Aftermath Edited by Daniel Fischlin & Eric Porter 352 Pages ISBN: 978-1-4780-0814-9 Duke University Press 2020 Musical improvisation is often described as a conversation. A universal language. Musicians trading back and forth seem to be having a blast, which, on occasion, for ...
Radio Bévort: BLIK
by Ian Patterson
There was a time, back in the '50s and '60s, when jazz musicians would regularly knock out half a dozen albums a year. That was when standards were all the rage and jazz was still largely codified. Today, such prolific production is reserved mostly for improvising musicians. Radio Bévort moves at a more leisurely pace, with ...
John Scofield: Swallow Tales
by Ian Patterson
It was Gary Burton who brought Steve Swallow--with electric bass in tow--into the teaching ranks of the Berklee College of Music in the early 1970s. Burton had already introduced Swallow's songs to the students, one of whom, a fresh-faced John Scofield, would go on to play and record with both men. Scofield and Swallow's musical partnership ...
John Scofield: One For Swallow
by Ian Patterson
From time to time in his storied career John Scofield will take a look over his shoulder and re-examine some of the music that has fed into his own, personal brand of jazz. The influences are many, for no matter the context that Scofield engineers, his distinctive sound always carries something of the blues, a little ...
John Scofield As A Sideman: The Best Of…
by Ian Patterson
John Scofield is a modern-day jazz legend, one of the most instantly recognizable voices on the guitar, and an inspiration to many. In a solo career that began in earnest in 1977, Scofield has carved out his own sound on dozens of albums, including his tribute to Steve Swallow, Swallow Tales (ECM, 2020), a trio album ...
Marialy Pacheco: Danzón Cubano
by Ian Patterson
You can take the girl out of Cuba, but you can't take Cuba out of the girl. Pianist Marialy Pacheco left her homeland for Germany in 2004, and after a few years in Australia, settled once again in Germany. Wherever Pacheco has dropped anchor, however, she has turned to her island's music for inspiration. Nestled amongst ...
Yuri Honing Acoustic Quartet: Bluebeard
by Ian Patterson
Since the late 1980s, Dutch saxophonist Yuri Honing has steered a singularly eclectic course, bouncing between straight-ahead jazz, the two-guitar Wired Paradise, rock-cum-electronica, and Franz Schubert. This questing musician has never sat still for long. The mesmeric True (Challenge Records, 2012), however, marked the beginning of a more stripped down, meditative acoustic jazz, an aesthetic further ...
Gianni Iorio & Pasquale Stafano: Mediterranean Tales
by Ian Patterson
When it comes to the bandoneon it's impossible not to think of Astor Piazzolla, the great virtuoso and father of nuevo tango, whose influence and legacy is still very much felt. Since the late 1990s bandoneonist Gianni Iorio and pianist Pasquale Stafano's Nuevo Tango Ensemble has found inspiration in Piazzola's jazz- inflected tango, releasing a handful ...
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