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Manami Morita: Colors
by Ian Patterson
The cover of Color, pianist Manami Morita's debut recording as leader, is a mosaic of child-like drawings, all round shapes and primary colors. It's somehow a reflection of her music which is unselfconsciously joyous and optimistic. There are few shades and little introspection in her playing, only boldness and, like the colors of nature, harmony. The ...
Ramona Borthwick: One of Us
by Ian Patterson
Pianist Ramona Borthwick is nothing if not generous--offering up over seventy minutes of quality music on this, her second recording as leader. That the music is constantly arresting is testament to the quality of the arrangements and, in equal measure, to the virtuosity displayed by her quintet. In effect, the quintet becomes at times ...
Sizhukong: Paper Eagle
by Ian Patterson
Jazz's first century has thrown up few examples of Chinese folk music which has found new voice in this idiom. Buck Clayton, in collaboration with Li Jinhui, spent two years in Shanghai in the mid-1930s, adapting Chinese folk music to ballroom jazz, but nothing was recorded. Jazz's second century should see a change in this situation, ...
Sizhukong: It Don't Mean a Thing if it Ain't Got That Oon
by Ian Patterson
It is something of a paradox that the western world knows so relatively little about modern China, even as the awakening giant's influence in the world is increasing. Who knows exactly what music is fermenting in its endless metropolises and among its multitude of ethnicities? Who knows what musical experiments and innovations are exciting passions and ...
Niu's 1st International Bangkok Jazz Festival, Dec. 11-12, 2009
by Ian Patterson
Niu's 1st International Bangkok Jazz Festival Baan Silom, Bangkok.
Gwilym Simcock: It's All Just Music
by Ian Patterson
Pianist/composer Gwilym Simcock has achieved a lot in a short time. His debut album as leader, Perception (Basho, 2007) was roundly praised as heralding the arrival of a significant new talent. Prior to that Simcock had captured attention for lighting up Bill Bruford's Earthworks, Tim Garland's Lighthouse Trio and Malcolm Creese's ...
Yuri Goloubev: Metafore Semplici
by Ian Patterson
After twelve years as principal bassist in the world renowned chamber orchestra Moscow Soloists, where he played with the likes of Mstislav Rostropovich, Vedim Repim and James Galway, Russian Yuri Goloubev made the bold move of abandoning the classical world, relocating to Italy and dedicating himself entirely to jazz. It hasn't worked out too badly, for ...
Youn Sun Nah: Voyage
by Ian Patterson
Although her UK debut at London's Vortex was in May 2009, South Korean singer Youn Sun Nah has been a figure on the French jazz scene since the mid '90s when she moved there to study jazz and French chanson.Voyage, her sixth release sees her deftly accompanied by some of the top names in European jazz. ...
Organamix: Groovin' at Groove Junction
by Ian Patterson
The Hammond organ is 75 this year. The classic Hammond B3 model has had an illustrious half century and the story of jazz is studded with famous practitioners. Since the B3 came off the production line in the 1970s it has been replaced by clone-wheel models using advanced sound modeling technology, which have the advantage of ...
Gwilym Simcock: Blues Vignette
by Ian Patterson
Gwilym Simcock Blues Vignette Basho 2009 Pianist/composer Gwilym Simcock sees the 2CD set Blues Vignette as a musical snapshot capturing but one stage of his musical development. In fact, the album is more like a lovingly crafted self portrait which reveals both the musical bloodline and which hints ...
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