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Trevor Rabin: Jacaranda
by Ian Patterson
It's been 23 years since Can't Look Away (Elektra Records, 1989), guitarist Trevor Rabin's previous solo album of original material, and 18 years since his departure from Yes. Rabin's relatively low profile since reflects his immersion in composing almost 40 film soundtracks. Jacaranda is a dazzling offering that showcases Rabin's virtuosity in numerous styles, drawing from ...
John McLaughlin & The 4th Dimension: Now Here This
by Ian Patterson
Guitarist John McLaughlin and his 4th Dimension group's studio debut, To The One (Abstract Logix, 2010), mined the past for inspiration. The spirit of saxophonist John Coltrane's A Love Supreme (Impulse!, 1965) drove McLaughlin's most charged electric playing in years, proving he'd lost none of his fire. Two years on, and McLaughlin's 4th Dimension returns another ...
Alex Machacek: FAT
by Ian Patterson
Alex Machacek has been turning heads with his incendiary guitar playing and striking writing since he burst on the scene with Featuring Ourselves (Next Generation Enterprises, 1999). Whilst drummer Herbert Pirker and bassist Raphael Preuschi have a less visible profile, their equally outstanding chops play a big part in the success of FAT. These musicians also ...
James Cammack: Where You At?
by Ian Patterson
Oftentimes, it's only the passing of time that can offer true perspective. In years to come, bassist James Cammack may look back on 2012 as the year when--after over 30 years in the business--he truly began his musical adventure in earnest. After 29 years playing bass in the ensembles of piano legend Ahmad Jamal, Cammack was, ...
James Cammack: Both Sides Of The Coin: Part 1
by Ian Patterson
Though James Cammack began on electric bass in the mid-1970s, he's best known as the double-bassist for legendary pianist Ahmad Jamal, a role that kept him on his toes for a remarkable 29 years. Cammack has graced many of Jamal's best latter-day recordings, but it's really live, locking horns in an improvisational cauldron with Jamal and ...
Boi Akih: Circles in a Square Society
by Ian Patterson
The soul of Boi Akih--a duo, sextet, and all configurations in between-- is Monica Akihary's soulful voice and guitarist Niels Brouwer's jazz/world-inflected acoustic guitar. Boi Akih has always experimented; Lagu Lagu (Bromo, 2005)--an exquisite meeting between jazz, blues and Indonesian folk--was sung in the almost extinct Haruku language of Akihary's ancestors. With Indian percussionist Sandip Bhattcharya, ...
Isamu McGregor: Isamu McGregor: Live at the Baked Potato!
by Ian Patterson
Keyboardist Isamu McGregor has fairly raced out of the blocks, playing or recording with guitarist Wayne Krantz, saxophonist Chris Potter, drummer Ari Hoenig, bassist James Genus, pianist Jean- Michel Pilc, vibraphonist Stefon Harris and vocalist Jimmy Scott--to name but a few--while still just 22 years old. His debut as leader sees him lead his energetic quartet ...
Bradley Williams / Eric Hochberg / Jim Widlowski: 3
by Ian Patterson
Stalwarts of the Chicago music scene and veterans of an impressive array of collaborations with a who's who of jazz, pianist Bradley Williams, bassist Eric Hochberg--who together penned all the tunes-- and drummer Jim Widlowski make their debut trio recording with 3, an elegant, straight-ahead set of originals. Much of Williams' recorded output over the past ...
Phil Grenadier / Bruno Raberg Duo: Plunge
by Ian Patterson
Maybe only a pirate radio station would be uninhibited enough to play duo improvisations such as these served up by trumpeter {Phil Grenadier and acoustic bassist Bruno Råberg. However, such mainstream disinterest should be considered a backhanded compliment and is perhaps reason enough to check it out. Plunge is an apt title for music inspired by ...
Colin Cannon: Glenville
by Ian Patterson
Though still in his twenties, guitarist Colin Cannon has been performing in New York and along the East Coast for a decade. His debut as leader, In Summary (Self Produced, 2009) revealed a young composer with ideas aplenty, and a guitarist with a broad musical palette. If that album was slightly Pat Metheny-influenced--Cannon and Metheny were ...
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