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Nucleus with Leon Thomas: Live 1970
by Bruce Lindsay
Combine a British jazz-rock outfit with an American vocalist. Put them on stage at the 1970 Montreux Jazz Festival. Record the gig, pop the tapes in a safe place for over 40 years, then give them to the talented team at Gearbox Records. The result is Live 1970, by Nucleus With Leon Thomas, a beautifully produced, ...
Nucleus with Leon Thomas: Live 1970
by Roger Farbey
Almost forty five years after it was thankfully captured on tape, this first official release of the June 1970 Montreux Jazz Festival concert by British jazz rock pioneers Nucleus performing with American jazz vocalist Leon Thomas features a truly fascinating set of Thomas' repertoire and blindingly good performances all round. This seemingly ...
Bathed In Lightning: John McLaughlin, the 60s and the Emerald Beyond by Colin Harper
by Colin Harper
Exclusive extract adapted from Bathed In Lightning: John McLaughlin, the 60s and the Emerald Beyond By Colin Harper. Published (UK and US) March 26, 2014 by Jawbone Press “British jazz is awash with young talent which, given a healthy set of circumstances and a fair share of work, could produce a generation of ...
Charlotte Glasson: Festivus
by Roger Farbey
This exceptional album succeeds on several levels. First there's Glasson herself, an undeniably, prodigiously talented multi- instrumentalist whose diverse armamentarium would successfully rival that of Rahsaan Roland Kirk's, maybe substituting his stritch for her saw. The nine tracks here all benefit from Glasson's imaginative arrangements for which the word “quirky" would be hardly adequate. ...
Norma Winstone: Edge of Time
by Roger Farbey
This reissue features many of the most significant musicians in British jazz of the late 1960s and 70s. It also benefits from imaginative compositions and arrangements by John Taylor, John Warren, Neil Ardley, John Surman and Norma Winstone herself. The opening, title track written by Taylor and Winstone is a memorable exploration ...
The Weave: The Weave
by Bruce Lindsay
From the perspective of an east of England jazz writer, it can seem like Manchester has the north east's jazz scene to itself, with Liverpool, its near neighbour, putting up little in the way of competition. It's not that Liverpool is un-musical--it is after all the home city of Gerry And The Pacemakers--but its impact on ...
Graham Bond: Wading in Murky Waters
by Duncan Heining
Organist and saxophonist Graham Bond was the most important and influential musical pioneer to emerge from British jazz in the 1960s. High praise indeed, but in his case it is warranted. His legacy might be defined less by the music he recorded and more by the impact he had on subsequent generations of musicians. However, that ...
The Not So Strange and Bizarre Life of Mike Taylor
by Duncan Heining
Composer-pianist, Mike Taylor, lies buried in a touchingly simple grave in a cemetery in Southend. His body was found on the beach at Leigh-on-Sea in Essex in January 1969. It was assumed that he had committed suicide. He was 30 years old and didn't leave much of a legacy--a couple of albums now highly prized, a ...
Chris May's Best Jazz Books of 2012
by Chris May
Are the best books always about the past rather than the present, or is it simply easier to write about events on which the dust has settled? Whatever. These three books are all about the past and each is outstanding.Matthew RuddickFunny Valentine: The Story Of Chet BakerGrippingly written and meticulously ...
Joe Harriott Quintet: Movement / High Spirits
by Duncan Heining
Joe Harriott QuintetMovement / High Spirits Dutton Vocalion2012 (1963/1964)The acquisition, ownership and handling of a back catalogue of classic British jazz from the sixties by first Polygram and then Universal is a story of meanness and incompetence. It meant that key recordings by the likes of saxophonists Joe ...
