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Article: Album Review

Alberto Mizrahi: Matzah to Menorah: A Holiday Jazz Celebration

Read "Matzah to Menorah: A Holiday Jazz Celebration" reviewed by Hrayr Attarian


There is a well-established legacy of fusing the sacred with the secular in jazz. Pianist Duke Ellington's Concert of Sacred Music (RCA, 1966) is, perhaps, the most ceremonial example of this but there is a myriad of other recordings. Guitarist Grant Green's gospel-inspired Feelin' the Spirit (Blue Note, 1962), pianist/harpist Alice Coltrane's exploration of Hinduism and ...

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Article: Album Review

Jonathan Saraga: First Vision

Read "First Vision" reviewed by Hrayr Attarian


Award-winning trumpeter Jonathan Saraga's First Vision, is a skillfully conceived and exquisitely realized debut that brings to mind the edgy, envelope-pushing hard bop of many a Blue Note record in the early 1960s. The modal melodies are artfully orchestrated, allowing each musician the full breadth of his spontaneous creativity without resorting to unfettered clamor. Not a ...

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Article: Album Review

RJ And The Assignment: Deceiving Eyes

Read "Deceiving Eyes" reviewed by Hrayr Attarian


Chicago-born/Las Vegas-based pianist RJ channels a soulful adroitness on Deceiving Eyes. Aided by a rotating cast of musicians called The Assignment, RJ creates intricate and shimmering musical patterns on each of the eleven pieces that comprise his debut. On Herbie Hancock's “Dolphin Dance," RJ's sublimely stylish piano lines embellish the theme while bassist ...

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Article: Album Review

Tim Carey: Room 114

Read "Room 114" reviewed by Hrayr Attarian


Dedicated to his father, Seattle-based composer, educator and bassist Tim Carey's debut, Room 114, is a very intimate affair. Carey has been a professional musician for the past nine years and during that time he has honed his skills with such luminaries as trombonist Julian Priester, as well as, creative ethnic jazz ensembles. ...

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Article: Album Review

Ray Parker: Swingin' Never Hurt Nobody

Read "Swingin' Never Hurt Nobody" reviewed by Hrayr Attarian


Legendary guitarist Django Reinhardt's legacy comes alive on Ray Parker's debut, Swingin' Never Hurt Nobody. A veritable double bass virtuoso, the freelancing Parker is much sought after as a bandleader and side musician in a variety of settings. This delightful foray into the musical world of string-jazz allows him to demonstrate his immense talents as an ...

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Article: Album Review

Shingo Yuji: Introducing Shingo Yuji

Read "Introducing Shingo Yuji" reviewed by Hrayr Attarian


Japanese-born guitarist/composer/shakuhachi player Shingo Yuji has made his home in Los Angeles. On Introducing Shingo Yuji, he draws deeply on his native, rich musical heritage as well as jazz and pop worlds to create an engaging mélange. Yuji 's “Laputa" features an undulating melody with western rhythms and eastern harmonies. Tenor saxophonist Walter ...

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Article: Album Review

Ferenc Nemeth: Triumph

Read "Triumph" reviewed by Hrayr Attarian


Ferenc Nemeth bursts onto the jazz scene with his second release as a leader. Triumph is the follow-up to his lyrical, more reserved debut Night Songs(Dreamers Collective 2007), and finds the Hungarian-born drummer in the company of a superb quartet including his boss in the Gilfema trio, guitarist Lionel Loueke. Where Night Songs ...

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Article: Album Review

Kim Kashkashian: Kurtag/Ligeti: Music for Viola

Read "Kurtag/Ligeti: Music for Viola" reviewed by Hrayr Attarian


There are more jokes about the viola, perhaps, than any other member of the violin family, but there are also exquisitely written pieces of music that in the hands of virtuosos come alive with vivid emotion and erudite articulation. Boston-based Kim Kashkashian is one of the premier violists in the world and has ...

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Article: Album Review

Natsuki Tamura/Satoko Fujii: Muku

Read "Muku" reviewed by Hrayr Attarian


The restlessly innovative husband and wife team of trumpeter Natsuki Tamura and pianist Satoko Fujii have produced some of the most intriguing and invigorating music to come out of Japan. Although rooted in the jazz idiom, their explorations are on universal themes, drawing upon a variety of inspirations. Their work is primarily improvised, but not in ...

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Article: Album Review

Gato Libre: Forever

Read "Forever" reviewed by Hrayr Attarian


Innovative trumpeter Natsuki Tamura is a creative artist with a wide repertoire that draws as much from modern improvised music as it does jazz and world folk heritages. Often a key collaborator in wife/pianist Satoko Fujii' inimitable ensembles, he emerges as a leader of the unique quartet Gato Libre on its fifth release, Forever.


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