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Article: Take Five With...

Take Five with Maria Muldaur

Read "Take Five with Maria Muldaur" reviewed by AAJ Staff


About Maria Muldaur Maria Muldaur is best known for “Midnight At The Oasis," though she has toured extensively worldwide for over four decades, and has released 41 albums covering all stripes of American Roots Music, including Gospel, R&B, Jazz and Big Band, as well as several award-winning children's albums. Often joining forces with other ...

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Article: Radio & Podcasts

Moaning, Whistling, Sighing and Other Jazz Sounds

Read "Moaning, Whistling, Sighing and Other Jazz Sounds" reviewed by Ludovico Granvassu


Jazz--the quintessential open door genre--has a capacity to beautifully integrate all kinds of sources. From music from faraway places to compositions written and instruments used for completely different genres. When it comes to the human voice, jazz has shown an uncanny openness to its endless possibilities finding a musical role for all sorts of non verbal ...

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Article: Album Review

Steve Davis: Correlations

Read "Correlations" reviewed by Peter J. Hoetjes


Exploration and innovation may be the aspiration of modern jazz, but trombonist Steve Davis' Correlations exemplifies the fact that nothing proves more compelling than the timeless art of gathering a group of musicians who work remarkably well together. A veteran of The Jazz Messengers, One For All, and The Jazztet, Davis has a wealth of experience ...

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Article: Album Review

Pierluigi Villani: Stanic Boulevard

Read "Stanic Boulevard" reviewed by Nicholas F. Mondello


Stanic Boulevard from drummer Pierluigi Villani and his Ensemble is a very distinctive album which offers highly-textured contemporized original compositions, each from a group member and each of which is performed with superb musicianship and exquisite taste. It is jazz collaboration at its best. “More or Less," the driving opener, delivers a rock-blueish ...

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Article: Radio & Podcasts

Blue Note 50th Anniversaries: January 1969 & More

Read "Blue Note 50th Anniversaries: January 1969 & More" reviewed by Marc Cohn


We celebrate Blue Note 50th anniversary recordings from Frank Foster (material never formally released until a CD reissue of Manhattan Fever), Lonnie Smith and Horace Silver. Certamente, there's more--including a 75th anniversary salute to sides by clarinetist Edmond Hall with Red Norvo and Teddy Wilson, and a 78 rpm recording of Blue Note 5 by Earl ...

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Article: Interview

Ron Carter: Still Searching for the Right Notes

Read "Ron Carter: Still Searching for the Right Notes" reviewed by Rob Garratt


"People from newspapers and magazines always ask me two things," Ron Carter tells a reverent crowd from a stage in suburban Hong Kong. “What was it like playing with Miles Davis? And why am I still doing this?" He answers the latter enquiry by pointing left and right simultaneously at his two diligent sidemen, pianist Donald ...

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Article: Album Review

Lisa Hilton: Oasis

Read "Oasis" reviewed by Mike Jurkovic


Like whispers of a better place just around the corner if you're prepared to take the ride, the tunes on West Coast mainstay and prolific pianist/composer Lisa Hilton's exciting, well paced Oasis work their way into your listening space and take up residence. They hop, bop and bounce along her keyboard. Hilton, who has ...

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Article: Year in Review

Mark Werlin's Notable Hi-Res Releases in 2018

Read "Mark Werlin's Notable Hi-Res Releases in 2018" reviewed by Mark Werlin


2018 has been a good year for jazz music in hi-res audio formats. ECM, Songlines, Intakt, ACT Music, Firehouse 12, Foné, Mack Avenue, TRPTK, and other independent labels released newly-recorded and recent catalog albums in high resolution through download vendors, Bandcamp, and the labels' own websites. One US music vendor lists more than 300 jazz titles ...

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Article: Album Review

Jacob Duncan: It's Alright To Dream featuring JD Allen

Read "It's Alright To Dream featuring JD Allen" reviewed by Glenn Astarita


In many instances, saxophone summits are ballsy blowouts steeped in performing jazz standards, especially when the hornists are used to leading their own bands, and they just want to get down to business in the studio. But such is not the case here, thanks to superb Louisville, KY-based saxophonist Jacob Duncan's (Norah Jones, Aretha Franklin) original ...

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Article: Album Review

Dmitry Baevsky / Jeb Patton: We Two

Read "We Two" reviewed by David A. Orthmann


Alto saxophonist Dmitry Baevsky and pianist Jeb Patton constitute a crackerjack, precision jazz instrument, stretching and bending the fundamentals of bebop into full-blown statements that render the absence of a bassist and drummer superfluous. The individual heroics that one expects of bop are in evidence, but it's the ways in which the duo maneuvers as a ...


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