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John Coltrane: Evenings At The Village Gate
by Mike Jurkovic
All music is, as are all our greater gestures and pursuits--poetry, painting, literature, sculpture, dance--spiritual by nature. An outreach by the artist and thus, by extension, us, beyond the daily argot of the ordinary. But sometimes those instances are so far and in-between, so masked by the lawlessness of the present moment, that our higher selves ...
Altin Sencalar: In Good Standing
by David A. Orthmann
In many ways, In Good Standing is a jazz aficionado's dream. Trombonist, composer, and arranger Altin Sencalar's inaugural disc as a leader for Posi-Tone encourages granular, analytical consideration. It is worthwhile to pause and think about the details of inspired performances, ponder the efficacy of Sencalar's original compositions and interpretations of gems penned by jazz giants, ...
The Van Gelder Sound: A Legacy of Jazz Recordings
by Brian Eaton
Rudy Van Gelder (a.k.a. RVG) was one of the most influential recording engineers in jazz. Largely self-taught, he was a true industry pioneer as one of the first well-known examples of an engineer operating a home recording studio and even constructing his own custom-built audio mixer in the early years. As an innovator and perfectionist, he ...
Ryan Kisor: Awakening
by C. Andrew Hovan
A man of few words, Ryan Kisor chooses to let his horn do the speaking and obviously it has said volumes over the years when you consider that the trumpeter is one of a select few musicians who has managed to sustain a viable career past the heydays of the jazz renaissance of the '80s and ...
Ryan Kisor: Power Source
by C. Andrew Hovan
Taking full advantage of what might be termed his “second wind," Ryan Kisor has grown into one of the most mature trumpeters of his generation. Back in 1990 when he impressed his elders by taking the prize at the Thelonious Monk Institute trumpet competition, things appeared promising and a major record label deal even came through ...
David Kikoski: Surf's Up
by C. Andrew Hovan
It seems that the show tunes of the '30s, '40s, and '50s have served as fodder for several generations of jazz musicians, either providing their own melodies for subsequent development or lending their harmonic framework for the jazz writer to use as a basis for an original tune. Most recently, we've seen attention begin to shift ...
3x3: Jazz Trios Playful and Pensive
by John Chacona
Can we finally retire the assertion that we are living in a Golden Age of the jazz piano trio? It seems like every month brings trio dates of such imagination and accomplishment as to render superlatives beside the point. These three recordings released in an eight-week period in Spring 2023 are a reminder that one of ...
Jason Keiser: Shaw's Groove
by Jack Bowers
The “Shaw" in guitarist Jason Keiser's album Shaw's Groove is the late great Woody Shaw, one of the more innovative and influential jazz trumpeters of the twentieth century. Even though he lived only forty-four years (he died in May 1989), Shaw was an important role model whose sweeping influence remains strong to this day, both as ...
Art Farmer: Work of Art
by Jon Block
My favorite (jazz) album is The Art Farmer Septet (1956 Prestige PRLP 7031 of 1953-54 sessions previously released on 10" disks). It features the arrangements and compositions of Art Farmer, Gigi Gryce and Quincy Jones. It still makes me move and groove, from the first clave click on the steaming hot Afro-Cuban “Mau Mau" all the ...
Horace Silver, Bobby Broom & Anthony Branker
by Joe Dimino
We begin the 796th Episode of Neon Jazz with composer Anthony Branker and music from What Place Can Be For Us (Origin Records, 2023). From there, we dive into new music from the young NYC vocalist Emily Mazzella and her mentor Lonnie Leibowitz. From there, we profile tasty new music from the likes of Jimmy Farace, ...
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