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Queen Esther: Sings Jazz & Black Americana
by James Nadal
The multifarious talents which are the essence of extraordinary vocalist Queen Esther's identity, encompass the complete spectrum of music from rural southern blues and inner city jazz, to her innovative version of Black Americana. Born and raised in the Deep South, she was a prodigious child whose creativity was recognized early in life. After a successful ...
Sherri Roberts: Anybody's Spring
by Geannine Reid
Vocalist Sherri Roberts brings the joy and promise of new beginnings with twelve standards, that offer a spring theme with her 2017 release, Anybody's Spring. Selections come from the jazz compositions of Clifford Brown and Tadd Dameron to the standard and not-so-standard fare of Rodgers and Hammerstein, Hoagy Carmichael, and Blossom Dearie favorite Bob Haymes, the ...
Darden Purcell: Where the Blue Begins
by C. Michael Bailey
Dr. Darden Purcell waited eight years to record Where the Blue Begins as a follow up to her debut recording Easy Living (Armored Records, 2009). The Dr. part? Yes, well Dr. Darden is the Director of Jazz Studies, Jazz Voice at George Mason University, and holds a doctorate of Musical Arts in Jazz. Her bona fides ...
Joshua Redman & Brad Mehldau: Nearness
by Doug Collette
Brilliant musicians don't always make brilliant music when they collaborate and while that's sometimes been the case with pianist Brad Mehldau and saxophonist Joshua Redman, on the duo concert recordings that make up the appropriately-titled Nearness, they live up to their elevated pedigree. And that's individual as well as shared cachet: Mehldau spent a fair amount ...
Warren Wolf: Convergence
by Mark F. Turner
The paucity of jazz vibraphonists may be due in part to the complexity of mastering an instrument that's like a hybrid of drums, percussion and piano. Notwithstanding, one of the instrument's brightest stars is 36 year old Baltimore native Warren Wolf, a rising virtuoso whose form and technical abilities continue the lineage of great vibe players ...
U.S. Army Blues: Live At Blues Alley
by Chris M. Slawecki
Times have surely changed since The U.S. Army Blues was founded in 1942 (as “Pershing's Own," the Army Dance Band) to entertain soldiers and civilians in combat zones during WWII. But this Blues band has managed to keep pace, and has performed at the Monterey and Montreux Jazz Festivals and at New York City's hallowed Birdland, ...
Artistry in Rhythm: Afro-Cuban Epiphany to Haitian Voodoo
by Chris M. Slawecki
Brian Andres & the Afro-Cuban Jazz Cartel This Could Be That Self-Produced 2016 This Could Be That celebrates the first decade of Brian Andres & his Afro-Cuban Jazz Cartel, which came together in 2007 in and around the San Francisco Bay Area's Latin jazz hothouse. Music is ...
Wayne Wallace Latin Jazz Quintet: Intercambio
by James Nadal
The music that commenced as accompaniment to ancestral rituals and gained its popularity in dancehalls and ballrooms, has come of age. Latin infused jazz, has been steadily evolving since the African drums came to the Caribbean, and melded with European musical influences. Trombonist, composer, arranger, and producer Wayne Wallace is aptly tuned into this evolutionary process ...
2015: The Year in Jazz
by Ken Franckling
The year 2015 was a curious blend of ups and downs, with glimmers of optimism offset by its losses. Venues opened to great fanfare, but others closed for a variety of reasons. UNESCO's International Jazz Day became firmly entrenched as the exclamation point on Jazz Appreciation Month activities in April. Daily arts journalism took a hit ...
Piccola guida al nuovo jazz italiano
by Luca Canini
Non è vero che il jazz italiano sta bene. Non è vero che siamo il paese dei festival e che abbiamo musicisti che tutto il mondo ci invidia. Possiamo raccontarcela tra di noi, se vi va. Facendo finta che questo sia il migliore dei mondi possibili e che il sole dell'avvenire splenda alto sopra l'orizzonte, ma ...
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