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Joan Hutton & Sue Orfield: Take That Back
by Dan McClenaghan
Joan Hutton and Sue Orfield's Take that Back opens with the smooth dark chocolate crooning of Hutton's bass clarinet. The tune is Dirty Secret," a Hutton-penned, mid-tempo gem. And initially what comes to mind is (Bennie Maupin and Eric Dolphy aside) how rarely we hear the bass clarinet on a jazz album. Then Orfield's tenor sax ...
Christine Kamau: Delivering Afro-Jazz Power
by Nicholas F. Mondello
In the blockbuster film, Black Panther (Marvel Studios, Walt Disney Pictures, 2018) the power of and quest for Vibranium," an all-powerful element, plays a pivotal role. Like a latter day female T'challa (The Black Panther") and through her music, Kenyan musician Christine Kamau delivers a unique and powerful perspective of her own, melding jazz with its ...
The Digital Content Producer: Joseph Vella
by B.D. Lenz
We've all witnessed how quickly the explosion of technology has changed life in recent years. Arguably, the internet has revolutionized every facet of our life, including how we consume music. We tend to think of technology as some faceless machine that continually churns forward and forget that behind it all are passionate individuals who are pioneering ...
Lionel Loueke: Our Story Is What We Play
by Leo Sidran
When Lionel Loueke was coming of age as a young guitarist in his home country of Benin in West Africa, there were no music stores of any kind. He would have had to travel to Nigeriathe next country over--just to get his hands on some new strings. So he made due with what he had, cleaning ...
Igor Butman: Russian Jazz at Dizzy’s
Jazz internationalization has widened in the last few decades to include musicians from practically every country imaginable. At Jazz @ Lincoln Center the programming has reflected this phenomenon and patrons have been given generous helpings of foreign artistry. The club has become a veritable hub for this music and thus enhanced Gotham's reputation as the world's ...
George Coleman: An Alternative Top Ten Albums
by Chris May
Born in Memphis, Tennessee, saxophonist George Coleman cut his teeth in local rhythm and blues bands and made his first recording, aged twenty, with B.B. King in 1955. That year he switched from alto to tenor, because King already had an alto player; but Coleman has continued to play the alto from time to time and, ...
Dave Stryker: As We Are
by Kyle Simpler
Pat Metheny has a section of his website entitled Pat Recommends," where he discusses jazz guitarists whom he believes are making the best music of their careers" on their recent recordings. Dave Stryker is one of the musicians Metheny mentions, and this is certainly an accurate assessment. Dave Stryker has established himself as one of the ...
Gretchen Parlato: Pursuing Her Passion
by R.J. DeLuke
"I haven't gotten dressed up like that for a few years," says singer Gretchen Parlato with an infectious chuckle. It'll be nice." The unassuming and down-to earth Parlato was breezily referring to the 2021 Grammy Awards in Los Angeles on Jan. 31. Her latest album Flor (Edition Records), inspired by the music of Brazil, ...
2021: The Year in Jazz
by Ken Franckling
The jazz world continued grappling and adjusting in year two of the COVID-19 pandemic. International Jazz Day again went virtual for the most part. Singer Tony Bennett put the final stamp on his touring--and likely recording--career after his Alzheimer's disclosure. Trumpeter Irvin Mayfield was headed to federal prison. The National Endowment for the Arts welcomed four ...


