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Ed Cherry: It's All Good
by Dan Bilawsky
Guitarist Ed Cherry is best known for his lengthy, decade-plus tenure with trumpet titan Dizzy Gillespie, but his work with another heavyweight of a different ilk--organist Big John Patton--is a more obvious influence on It's All Good. Cherry played the important role of Patton's guitar-playing foil during some of the legend's '90s comeback sessions and he ...
2012 Thelonious Monk International Drums Competition
by Franz A. Matzner
It can never be said that the Thelonious Monk Institute of Jazz does anything halfway. Held annually at the Kennedy Center in Washington, DC, this year's competition and gala concert was ambitious and extravagant--equal parts a celebration of jazz drumming, a salute to women's past and present contributions to the art form, and a promotion for ...
Take Five With Cameron Turner
by AAJ Staff
Meet Cameron Turner: Cameron was born in 1975 in Hickory, NC. The son of musical parents, he began an early education in music, learning every bit of information he could about artists, songwriters and every instrument he could get his hands on...Instrument(s): Guitars, basses, keys, drums, percussion, synth programming, rhythm ...
Scarborough Jazz Festival: Scarborough, UK, September 28-30, 2012
by Duncan Heining
Scarborough Jazz FestivalScarborough, UK September, 28-30, 2012Now in its tenth year, Scarborough Jazz Festival is a fixture in the UK's jazz calendar. Situated on the east coast of North Yorkshire, Scarborough's heyday was in the Victorian era, when coaches would pull up outside hotels like The Royal or The Crown to disgorge ...
Cecil Taylor: FLY! FLY! FLY! FLY! FLY!
by John Kelman
83 years old and approaching ninety releases as a leader, pianist Cecil Taylor's place in the history of jazz may already rest assured, but he's more cited than seen these days. He may not come up as a primary influence as often as usual suspects Bill Evans, Keith Jarrett, McCoy Tyner or Herbie Hancock, but in ...
Roy Assaf: Respect, Vol.1
by Dan Bilawsky
Innovation and as-yet-unheard-of ideals tend to sell headlines in jazz, but they mean nothing without respect for those who paved the road to the present. Many young emerging talents seem content to walk into jazz without doing their due diligence in discovery and digestion, but that often puts them in a peculiar position of being a ...
Herbie, Monk And Mars
Last year Herbie Hancock had a piece of the planet Mars in his jacket pocket during the 25th Anniversary Kennedy Center Gala of the Thelonious Monk Institute of Jazz. As you might imagine, this piece of Mars had the best night out that Mars ever had—and it can now be yours! It will go to the ...
Bobby Zankel: Revisiting Coltrane’s “A Love Supreme”
by Victor L. Schermer
John Coltrane's iconic A Love Supreme (Impulse!, 1965) is a jazz perennial, continuing to attract and move listeners around the globe nearly five decades after it was released. Great musicians, such as guitarists John McLaughlin and Carlos Santana, and saxophonist Joshua Redman cite its profound influence on their career. The Branford Marsalis Quartet , with A ...
Jeff Coffin Mu'tet: Into the Air
by Mark F. Turner
Emmy Award-winning saxophonist Jeff Coffin is a venerable road warrior who's probably more recognized for his work in the high profile bands of banjoist Béla Fleck and singer/songwriter Dave Matthews , playing to stadiums of 30,000 screaming fans. But he's also at home performing in venues that hold 300 appreciative enthusiasts with his Mu'tet--a longtime ensemble ...
Don Byron: Music Wikipedia
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth ]I got my Bachelor's in Music Ed and Trumpet from Peabody Conservatory. I got my Master's in Jazz from Queens College. But I did my real graduate work playing with clarinetist Don Byron. My first gigs with Byron were playing Stravinsky ...
