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Results for "Herbie Hancock"
Working the Rhythm Section: Tom Lawton, Lee Smith, and Dan Monaghan
by Victor L. Schermer
As Duke Ellington's standard goes, “It Don't Mean a Thing if it Ain't Got that Swing." The rhythm section (piano, bass, drums, with guitar and percussion sometimes added) is the core of the typical jazz ensemble. They set the frame for the leader, singer, and soloists and contribute their own solos as well. Even though they ...
Take Five with Eddie Reyes
by AAJ Staff
Meet Eddie Reyes: Eddie Reyes has evolved a unique and personal style on the guitar. Although for much of his playing career he has focused on electric jazz guitar, he now turns mostly to the acoustic. He has evolved his style from, first, a fascination with Brazilian Jazz to his present passion, Flamenco. In the ...
Poncho Sanchez: Heating up Lincoln
By Gabriel Medina Arenas Nebraska's coldest month is usually January and in 2015 that didn't seem to be an exception. That is, until Poncho Sanchez's hot salsa and Latin jazz melted the ice, bringing “gozadera" and joy to The Midwest. This is not just a metaphor, since the weather did get warmer on Thursday, ...
I 10 Cd nel CD Player di... Phil Markowitz
by Vincenzo Roggero
01. Count Basie/Duke Ellington -The Count Meets the Duke (Columbia -1961). Incontro ai massimi livelli. Sicuramente la sfida ha tirato fuori il meglio da tutti i grandi solisti, che suonano con grande personalità e swing, con Basie e Duke insieme a sciorinare ritornelli blues. Tutto quello che c'è da sapere su come si suona il ...
Pat Martino: Joyous Lake
by John Kelman
Pat MartinoJoyous LakeWarner Bros.1977 Seemingly a hardcore mainstreamer at heart--though one with no shortage of experimental élan, proven over a series of ten albums from 1967's El Hombre (Prestige) to 1976's wonderful duo with pianist Gil Goldstein, We'll Be Together Again (Muse, 1976)--guitarist Pat Martino came relatively late to the jazz-rock ...
Mark F. Turner's Best of 2014
by Mark F. Turner
Typically, when music is labeled it gets thrown into a box that limits its artistic scope. But the four letter word “jazz" in today's environment obliterates typical categorization as found in these diverse releases. Ambrose Akinmusire The imagined savior is far easier to paint (Blue Note)
Hancock rouses Jazz Network crowd
The legendary musician delivered an inspiring keynote address at the national conference, which continues in San Diego through Saturday Lamenting the decline in arts funding at U.S. public schools as “a national disgrace,” music legend Herbie Hancock electrified a capacity audience of more than 1,600 during his keynote address Thursday at the 6th annual National Jazz ...
2014: The Year in Jazz
by Ken Franckling
The year 2014 turned out to be a year noteworthy for its numbers. Newport turned 60, Blue Note turned 75, International Jazz Day's third edition featured 900 events in more than 190 countries. The jazz world lost seven of its NEA Jazz Masters, and New Orleans trumpeter Lionel Ferbos died at 103. Sad but not unexpected, ...
George Gee Swing Orchestra: Swing Makes You Happy!
by Dan Bilawsky
Swing Makes You Happy! isn't just an album title: it's a mantra and belief system that guides the George Gee Swing Orchestra, a little big band intent on rekindling the ear's love affair with music associated with a bygone era. Gee has been in the big band business for more than three decades, ...
Michael Brecker: Now You See It...(Now You Don't)
by John Kelman
Michael Brecker Now You See It...(Now You Don't)MCA1990 Today's Rediscovery is Now You See It...(Now You Don't), by saxophone giant Michael Brecker. After the one-two punch of his first two recordings as a leader (excluding his 1982 collaboration with Claus Ogerman, Cityscape)-- Michael Brecker (Impulse!, 1987) and Don't Try ...
