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Carla Bley & Jack DeJohnette: ECM Trios
by Mark Sullivan
Two different approaches to the trio, led by veteran ECM bandleaders. Big band composer/pianist Carla Bley continues her recent run of chamber ensemble recordings, reconvening her trio with saxophonist Andy Sheppard and bassist Steve Swallow, most recently heard on Trios (ECM, 2013). The grouping gives much more focus on her piano playing than her large group ...
Internationally Acclaimed Israeli Saxophonist Eli Degibri To Perform At The White House
Internationally acclaimed Israeli jazz saxophonist, composer and bandleader, Eli Degbiri, will be performing at the 2016 International Jazz Day Global Concert, hosted by President Obama and First Lady Michelle Obama at The White House. The concert will be broadcast nationally on ABC on April 30th—International Jazz Day—and streamed across the globe by the United Nations and ...
James Hughes & Jimmy Smith Quintet: Ever Up & Onward
by Mark Sullivan
Detroit was once a vital jazz center, contributing some of the major hard bop artists of the 1960s: Hank, Thad, and Elvin Jones, Tommy Flanagan, Barry Harris, Paul Chambers, Kenny Burrell, and Ron Carter, just to name a few. The James Hughes & Jimmy Smith Quintet honors that tradition by playing mostly original hard bop with ...
Blue Note On Blu-Ray
by Mark Werlin
Jazz music is best appreciated with “big ears" and an open mind. Just as exposure to new music casts older, familiar works in a different light, newer formats can expand a listener's perspective on the strengths and limitations of the original recordings. SACDs, Blu-Ray discs and hi-res downloads accurately represent the affective details of ...
Jazz Musician of the Day: Herbie Hancock
All About Jazz is celebrating Herbie Hancock's birthday today! Herbie Hancock is a true icon of modern music. Throughout his explorations, he has transcended limitations and genres while still maintaining his unique, unmistakable voice. Herbie\'s success at expanding the possibilities of musical thought has placed him in the annals of this century\'s visionaries. With an illustrious ...
Swingin' In The Rain: Portland Jazz Festival 2016
by Chuck Koton
Sonny Fortune and Azar Lawrence Jimmy Mak'sPDX Jazz FestivalPortland, OR February 18-19, 2016 Any American burg that aspires to “great city" status has got to have a solid jazz scene. Sorry, but hipster hat shops, artisanal juiceries, and $6 coffee from beans grown on sustainable farms in Africa and Latin ...
Steve Wiest And Phröntrange: The High Road
by Dan Bilawsky
You don't encounter a lot of trombone-centric fusion dates these days. But then again, you also don't encounter too many musicians like Steve Wiest, the unabashedly enthusiastic veteran trombonist fronting this project. He's a true polymath, respected as a performer, educator, science fiction author, cartoonist, and composer-arranger. But he also clearly knows how to let rip ...
How Teachers can Swing in the Classroom
by Douglas Groothuis
I am a jazz aficionado as well as a philosophy professor. Being in front of a classroom teaching is my favorite place on earth, second to a good jazz club with hip friends. In the midst of a philosophy class, I may wax enthusiastic about the transcendent qualities of a John Coltrane saxophone solo or the ...
Bob Gluck/Billy Hart/Eddie Henderson/Christopher Dean Sullivan: Infinite Spirit - Revisiting Music of the Mwandishi Band
by Karl Ackermann
Composer/musician, author, educator and spiritual leader, Bob Gluck, brings a long-term, multi-media project full circle with the release of Infinite Spirit, Revisiting Music of the Mwandishi Band. Motivated by Gluck's research and interviews for his excellent book, You'll Know When You Get There: Herbie Hancock and The Mwandishi Band (University of Chicago Press, 2012), he assembled ...
INNERrOUTe: Fourmation
by John Ephland
Starting with keyboardist Joe Vincent Tranchina's steady, alarming tone, Fourmation suggests an emergency of some kind. “Consensual Motion" gradually includes the other three members entering the fray, a fray that's loose and free-form, and eventually calming, not to mention a little bit funky. Michael D'Agostino's drum fills combine with Bill McCrossen's probing basslines to form a ...
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