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Instrumental Duos

by Karl Ackermann
The early days of jazz were not always harmonious. Converted dance orchestras often sounded like unbalanced acoustic junkyards; a single violin, cornet, trombone, clarinet, tuba, drums, banjo, and piano, all fighting for attention. The piano was meant to be the glue holding the shrill and boisterous elements together. In 1921 a prodigy pianist named Zez Confrey ...
2021 NEA Jazz Masters Tribute Concert to Take Place Virtually April 22, 2021

Join the celebration of the 2021 NEA Jazz Masters as the National Endowment for the Arts, in collaboration with SFJAZZ, presents a virtual tribute concert in honor of Terri Lyne Carrington, Albert “Tootie” Heath, Henry Threadgill, and Phil Schaap (2021 A.B. Spellman NEA Jazz Masters Fellowship for Jazz Advocacy). The 2021 NEA Jazz Masters Tribute Concert ...
Tobias Klein e il Questionario di Proust

by Paolo Peviani
Il tratto principale della mia musica Musica che risuoni dentro. La qualità che desidero nei musicisti che suonano con me La capacità di vivere una situazione musicale. Come musicista, il momento in cui sono stato più felice Quando sembra che la musica si suoni ...
Tino Tracanna: L'arte della sintesi

by Angelo Leonardi
La pubblicazione dell'ultimo album di Tino Tracanna, Distilled, che è anche il debutto discografico del nuovo trio, ci ha dato l'occasione per parlare con uno dei protagonisti del jazz in Italia. Alla presentazione del nuovo lavoro segue un'ampia discussione sugli elementi costitutivi della sua musica, sugli artisti a lui più cari, sulla didattica nei ...
Jazz Musician of the Day: Henry Threadgill

All About Jazz is celebrating Henry Threadgill's birthday today! Henry Threadgill first performed as a percussionist in his high school marching band before taking up the baritone saxophone and later a large portion of the woodwind instrument family. He soon settled primarily upon the alto saxophone and the flute. He was one of the original members ...
2020: The Year in Jazz

by Ken Franckling
The COVID-19 pandemic put the jazz world in a tailspin, just like the world at large, in 2020. And there is plenty of uncertainty going into the new year about what new normal: might emerge from the darkness. International Jazz Day, like so many other things, became an online virtual event this time around. Pianist Keith ...
A Night at the Jazz Circus! - Part 1

by Ludovico Granvassu
Circus is like Jazz. They both require a great deal of originality and a capacity to improvise and be in the moment. They come out of a sense of urgency and self-expression since artists do not embrace them to get rich. And they both demand incredible dedication and discipline. This week we explore the ...
Steph Richards: Supersense

by Mike Jurkovic
With all the threatening weirdness and desperate surrealism that has become life in the USA, it makes absolute sense that Supersense, daring trumpeter/composer Steph Richards' third full length album, starts out like an encroaching invasion of ants, or microbes, or a disruptive, divisive, myopic political movement. As with such forward seeking rebels as Henry ...
Jason Robinson: Harmonic Constituent

by Mark Corroto
If you've ever visited Mendocino County you would have a head start to appreciate saxophonist Jason Robinson's Harmonic Constituent. His week-long retreat to this magnificent Northern California coast inspired this ambitious and diverse recording. Robinson, a musical omnivore previously recorded with the quartet Cosmologic, his Henry Threadgill inspired Janus Ensemble, in duos with Anthony Davis and ...
Brian Krock: Advocating for True Value in Humanity

by Leo Sidran
Musician, bandleader-arranger-composer, and YouTuber Brian Krock on the role of critical analysis in music, the unintended consequences of the capitalist nature of music education," what it means to improvise as a composer, how reading James Joyce influenced his relationship to listening to and writing music and led him to create artwork that invites people to put ...