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500

Article: Interview

Wadada Leo Smith: The Teacher

Read "Wadada Leo Smith: The Teacher" reviewed by Franz A. Matzner


Wadada Leo Smith's career as a creative musician spans more than forty years. The trumpeter/composer's myriad accomplishments have been well-documented, particularly recently, as his recoding and performance career have undergone a marked renaissance, the success of which has shown a spotlight not only on his recent undertakings, but also inspired a reexamination of his past works. ...

366

Article: Extended Analysis

Yo Miles! Revisited: Lightning and Shinjuku

Read "Yo Miles! Revisited: Lightning and Shinjuku" reviewed by John Kelman


Amongst the plethora of tributes to trumpet icon Miles Davis' electric period on Columbia, beginning with 1969's In a Silent Way and ending with 1975's Agharta and Pangaea, only a few stand out as being truly reverential--not just to the electrified energy and jungle funk of the music, but to its undeniably avant leanings as well. ...

144

News: Interview

Trumpeter Wadada Leo Smith Interviewed at All About Jazz....And More!

Trumpeter Wadada Leo Smith Interviewed at All About Jazz....And More!

Wadada Leo Smith's career as a creative musician spans more than forty years. The trumpeter/composer's myriad accomplishments have been well-documented, particularly recently, as his recoding and performance career have undergone a marked renaissance, the success of which has shown a spotlight not only on his recent undertakings, but also inspired a reexamination of his past works. ...

Article: Album Review

Elliott Sharp: Electric Willie

Read "Electric Willie" reviewed by AAJ Italy Staff


Willie Dixon è stato uno dei più influenti bassisti del blues elettrico di Chicago e la sua figura, non solo di musicista ma anche di organizzatore, si staglia in modo deciso nel panorama della musica nera dalla seconda metà degli anni quaranta in poi. Dixon era molto aperto verso le novità e non a caso molte ...

Album

A Little Stroke Of Light

Label: Axiom
Released: 2010

696

Article: From Far and Wide

The $100 Guitar Project: Act 1

Read "The $100 Guitar Project: Act 1" reviewed by Pascal-Denis Lussier


An online listing for a “no name," threadbare guitar; musicians with a distinct sense of humor; an idea, and one credit card... And a few emails later we've got something that combines the honest-but-struggling underdog, the ugly duckling, Pygmalion, Zen and the Art of Motorcycle Maintenance, Kaspar Hauser, a Cinderella rags to riches, Herbie the Love ...

231

Article: Album Review

Various Artists: I Never Meta Guitar

Read "I Never Meta Guitar" reviewed by Mark Corroto


There are no fans of the guitar in today's creative music--they are better described as fanatics, or devotees. But then the guitar has always caused listeners to choose sides. I'm a fan of Jimmy Page and you, Pete Townshend--or do you prefer Wes Montgomery to my Jim Hall. John McLaughlin or Pete Cosey? Some of these ...

936

Article: JazzLife UK

There's No Such Thing as a British Jazz Scene

Read "There's No Such Thing as a British Jazz Scene" reviewed by Bruce Lindsay


March and April 2010 were eventful months for JazzLife UK--my photo-documentary project on the jazz scene in Britain. Spring finally emerged from winter's grasp, snowdrops replaced snow drifts and jazz life got busier. Debates about jazz and the media took center-stage, at least for some of us, politicians limbered up for a General Election (I know ...

378

Article: Multiple Reviews

Weasel Walter: Mysteries Beneath The Planet & Invasion

Read "Weasel Walter: Mysteries Beneath The Planet & Invasion" reviewed by Martin Longley


Marc Edwards/Weasel Walter GroupMysteries Beneath The PlanetugEXPLODE2009 Weasel Walter SeptetInvasionugEXPLODE2010 Both of these Weasel Walter albums feature similarly-equipped bands and a comparable level of attack, magnified, distended, distilled, compacted, crushed, ...

268

Article: Album Review

Weasel Walter / Henry Kaiser / Damon Smith: Plane Crash

Read "Plane Crash" reviewed by Martin Longley


Power trio or acoustic sensitives? This album shuffles both manifestations and mostly decides to alternate the settings, allowing torn ears some peace following each eruptive onslaught. Surely this must be guitarist Henry Kaiser's most extreme recording, in terms of decibel achievement? His rabid emissions build a wall of Black Metal doom-chundering, a pinnacle of sludge detrimetalism. ...


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