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Henry Hey
Henry has an innate curiosity and unique ability to bring multiple musical influences together. This is probably because everything from the Beatles to Bach to Count Basie to the sound of Henry’s own father playing various musical instruments could be heard at any time in his Midwest childhood home. One famously curious artist, David Bowie, identified with this spirit in Henry during the making of The Next Day, on which Henry played piano and keyboards. Bowie then chose him as arranger and musical director to help reimagine his classic songs and to shape new ones, creating the sound for what would be Bowie’s final work, Lazarus. Henry immerses himself in original projects and creative collaborations expressing his own voice
Chris McQueen: Snarky Guitars, Part 3
by Mike Jacobs
Part 1 | Part 2 | Part 3 For our final installment in the Snarky Guitars series, All About Jazz spoke with Chris McQueen. McQueen's inclinations as a player often push him into more textural, integral and rhythmic roles that sometimes leave him the least conspicuous of the “SP Three," but he has done ...
Groundup Music Festival Reveals Artist Brunches, Cocktails And Workshops
Acclaimed by the New York Times as one of the “Top 10 Definitive Moments of the Decade in Jazz Music,” the GroundUP Music Festival returns to the oceanside North Beach Bandshell in sunny Miami Beach, Florida, February 14-16, 2020. Hosted by three-time Grammy award-winning collective Snarky Puppy, GroundUP has announced the schedule for their intimate cocktails ...
Henry Hey: Learning From The Stranger Things
by Mike Jacobs
Keyboardist Henry Hey's resume is an interesting read. In addition to a wide range of gigs and stints with some top name players in and around jazz, there's work in theater, TV and soundtracks. There's producing records as well as working in sessions with legendary producers. There's being a musical director for some of the biggest ...
Various Artists: Newvelle Muri
by Karl Ackermann
Swiss drummer/percussionist and composer, Stephan Diethelm lived in Zimbabwe for several years and was musically influenced by the African rhythms he heard. He had appeared on four albums when he launched the Muri Series, an ongoing succession of concerts that began in 2002, sometimes called Musig im Pflegidach. Pflegidach is a monastery that dates to the ...
FORQ: Four
by Mike Jacobs
Forq has come a long way. Since Keyboardist Henry Hey and (Snarky Puppy) bassist Michael League started the quartet with drummer Jason JT Thomas and guitarist Adam Rogers, Forq has gone through some crucial personnel changes. Rogers left after the first album and was replaced by Snarky Puppy guitarist Chris McQueen. Recording two more ...
Bill Bruford's Earthworks: Earthworks Complete
by John Kelman
Since retiring as a professional musician in 2009, progressive/art rock turned jazz drummer Bill Bruford has successfully managed to maintained a place in the public eye. Beyond his engaging, informative and successful Bill Bruford: The Autobiography (Jawbone Press, 2009), the drummer/percussionist has more recently released a second, equally captivating book, Uncharted: Creativity and the Expert Drummer ...
Michael League: Snarky Puppy's Jazz-Schooled, Grassroots Visionary
by Mike Jacobs
Bassist, composer, bandleader, sideman, producer, record label owner, festival head... These are some of the many hats Michael League has acquired since embarking on his musical odyssey at the University of North Texas with a “little" band named Snarky Puppy in 2003. With its Jazz-but-not-Jazz / Music for Brain and Booty ethos, multiple poll ...
Pete McCann: Pay for It on the Other Side
by Glenn Astarita
World-class guitarist Pete McCann (Spin Cycle, Mahavishnu Project, Curtis Stigers) composed 10 pieces with his band members specifically in mind. His all-star quintet exhibits near flawless execution with tuneful hooks, stirring improvisational passages, and a strong mix of material that covers a lot of bases. And when the leader uses his pedals and EFX mechanisms, tinged ...
Udin&Jazz 2018
by Neri Pollastri
Udin&Jazz 2018 Udine Palamostre 3-6.7.2018 Ventottesima edizione per il festival friulano, con qualche ombra sul suo futuro conseguente alla presa di posizione del direttore artistico e organizzatore Giancarlo Velliscig (clicca qui per leggere la sua intervista prima della scorsa edizione) nei confronti della nuova amministrazione comunale. Nel frattempo anche quest'anno il ...
