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From Aimless to Activist, Bassist Kevin Ray Lands on Higher Ground

by Karl Ackermann
Bassist Kevin Ray has recorded or played with John Stubblefield, Oliver Lake, Greg Osby, Andrew Hill, Marty Ehrlich, Elliott Sharp, John Hicks, Hamiet Bluiett and Nels Cline. Ray has performed in the premieres of works by Joe McPhee, Leroy Jenkins and others. The bassist co-leads the adventurous trio 10³²K's with trombonist/trumpeter Frank Lacy, percussionist Andrew Drury ...
Hasaan Ibn Ali: Metaphysics: The Lost Atlantic Album

by Karl Ackermann
The hard bop, Philadelphia pianist Hasaan Ibn Ali had a short, troubled life. On what was believed his only recording, The Max Roach Trio Featuring the Legendary Hasaan (Atlantic, 1965), the drummer placed Ali's full image front and center, his name in a larger font on the LP cover. Within the Philadelphia jazz community, he was ...
Cecil Taylor: Mixed to Unit Structures Revisited

by Giuseppe Segala
La pubblicazione di Mixed To Unit Structures, nella meritevole collana Revisited Series della Ezz-thetics, sotto-etichetta della svizzera Hat Hut, riunisce due date di registrazione importanti nella vicenda di Cecil Taylor, distribuite tra l'ottobre 1961 e il maggio 1966. La prima, composta dai tre brani Pots," Bulbs" e Mixed," era stata pubblicata dall'etichetta Impulse! nel disco Into ...
Seeing Jazz: The Photography of Luciano Rossetti

by Karl Ackermann
As a jazz venue, the mid-town Manhattan club Royal Roost had a short life span. The Royal Roost opened in 1948, but the jazz scene had moved past it less than two years later. In Greenwich Village, twenty-five-year-old photographer Herman Leonard had just opened his first photography studio to the south. A bebop fan, he was ...
Cecil Taylor: Mixed To Unit Structures Revisited

by Mark Corroto
A listener could make it their life's work to absorb and appreciate the music the music of Cecil Taylor. One could possibly approach it as a scholar and musician through notation and transcriptionnot the recommended approach. Such a task would be similar to the process of systematizing a DNA sequence. Taylor's music, and pardon this analogy, ...
Albert Ayler. Un ardito sogno futuristico

by Giuseppe Segala
Come una meteora, Albert Ayler ha attraversato il firmamento della musica neroamericana, dal 1962 al 1970. E ha lasciato il segno. Una traccia presente e attiva tutt'oggi, nell'operato di numerosi musicisti che dedicano il proprio lavoro all'improvvisazione e alla ricerca di un'autenticità dell'espressione artistica. L'apparizione del sassofonista nel mondo del jazz, una vera epifania, ...
2020: The Year in Jazz

by Ken Franckling
The COVID-19 pandemic put the jazz world in a tailspin, just like the world at large, in 2020. And there is plenty of uncertainty going into the new year about what new normal: might emerge from the darkness. International Jazz Day, like so many other things, became an online virtual event this time around. Pianist Keith ...
In Memoriam: Jazz Musicians Who Passed in 2020

by Maxim Micheliov
As 2020 comes to a close, we wanted to take a moment to remember the extraordinarily gifted musicians who made an indelible mark on jazz. With sadness, we bid farewell to Gary Peacock, Ennio Morricone, Keith Tippett, Henry Grimes, Bucky Pizzarelli, Wallace Roney and many others including NEA Jazz Masters Jimmy Cobb, Lee Konitz, Candido Camero, ...
Albert Ayler 1965: Spirits Rejoice & Bells Revisited

By Albert Ayler
Label: Ezz-thetics
Released: 2020
Track listing: Spirits Rejoice; Holy Family; D.C.; Angels; Prophet; Bells.
Burton Greene: From Bomb To Balm

by Barbara Ina Frenz
Chicago-born pianist Narada Burton Greene (b.1937) can be called a veteran of the 1960s jazz avant-gardethe starting point of his universal musical life. In 1962, he moved to New York and founded, together with bassist Alan Silva, the Free Form Improvisational Ensemble, which played improvised music without preconceived compositional elements. In 1965, he became a member ...