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Album

Out of Nowhere

Label: Heads Up International
Released: 2005
Track listing: 1. Outpost Radio 2. Allergic to Gravity 3. Cagey Bee 4. Come with Me Anyway 5. Natasha, Havana 6. Amoroso 7. New Russian 8. Lake Baikal 9. On the Tundra 10. Vodka Diaries 11. And then, Nika... 12. Indigo Breeze 13. Out of Nowhere 14. Evidence of Things Not Seen 15. Searching for Power

241

Article: Album Review

Joe McBride: Texas Hold'em

Read "Texas Hold'em" reviewed by Woodrow Wilkins


If online promotions and televised tournaments are any indication, hold 'em poker has become one of the most popular games in the Western world. Attempting to capitalize on the game's growth, keyboardist Joe McBride brings us Texas Hold'em, a collection of eleven original songs, mostly with titles that represent some aspect of the card game. The ...

200

Article: Album Review

Najee: My Point of View

Read "My Point of View" reviewed by Woodrow Wilkins


There's something about instrumentalists in contemporary jazz that can make a critical listener nervous. There's an expectation that the music will be bland, if not awful. Guitarists, bassists, and drummers don't seem to fall into this trap--at least not in great numbers. However, smooth jazz players of wind instruments seem almost invariably locked into creating formulaic ...

340

Article: Album Review

Gerald Veasley: At the Jazz Base!

Read "At the Jazz Base!" reviewed by Woodrow Wilkins


Make it funky! That's the first impression you get on “Shango, the opening track of Gerald Veasley's new recording, which sets the tone for an enjoyable hour of music that's a little bit smooth, a little bit funk, and a lot of groove. With a supporting cast that includes saxophonist Chris Farr, drummer Eric Greene, and ...

213

Article: Album Review

Oliver Mtukudzi: Nhava

Read "Nhava" reviewed by AAJ Staff


It's been thirty years since Oliver “Tuku Mtukudzi released his debut single, and in that time the Zimbabwean superstar has managed to cement a very distinctive sound. Together with his Black Spirits band, Tuku has developed a fusion of traditional Shona music with other southern African idioms, colored by faint blues and country overtones, that somehow ...

264

Article: Album Review

Hugh Masekela: Revival

Read "Revival" reviewed by Jim Santella


Hugh Masekela, 66, sings and plays his horns on Revival with the same spirit that drove his worldwide commercial success nearly forty years ago. His flugelhorn and cornet still have that smooth sound: a bit frail, but always filled with seamless phrases that bounce fluidly along a trail that's easy to latch on to. This time ...

190

Article: Album Review

Yellowjackets: Altered State

Read "Altered State" reviewed by Jim Santella


Fusing South African rhythms with soothing R&B melodies, the Yellowjackets continue to put up a refreshing performance that's made to suit easy listening audiences. Their mellow harmony and relaxed rhythmic pulses belie a loyalty to leisure suits, platform shoes with awkward heels, and hangin' out at the disco. The band began in the late 1970s, when ...

167

Article: Album Review

Oliver Mtukudzi: Nhava

Read "Nhava" reviewed by Woodrow Wilkins


The Heads Up Africa series has featured such artists as Hugh Masekela, Miriam Makeba, and Ladysmith Black Mambazo, there's nothing not to like about this music emerging from Southern Africa. This hit parade continues with Zimbabwean guitarist/vocalist Oliver Mtukudzi's Nhava. The album ("carrying bag in Shona) is a collection of advice, encouragement, and wisdom for travelers ...

491

Article: Album Review

Hiroshima: Obon

Read "Obon" reviewed by Woodrow Wilkins


From the opening gong, you know you're in for a treat with Obon. Marking Hiroshima's 25th anniversary, the new disc is the Japanese-American group's first without vocals--save a wordless chant by Shoji Kameda on “Obon Two-Five. Formed by Dan and June Kuramoto (the only Japanese native in the group) in 1979, Hiroshima has successfully blended traditional ...

134

Article: Album Review

Ladysmith Black Mambazo: No Boundaries

Read "No Boundaries" reviewed by C. Michael Bailey


Sonically stunning, No Boundaries is a brave experiment in the dissolution of one culture in another that is only modestly successful. Ladysmith alone or the English Chamber Orchestra alone would work well, but more often than not, together they are unconvincing, a genre stretching effort (ill) conceived in the boardroom and not the studio. Where the ...


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