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Li Gao Yang: Locks, Stock and Smoking Barrel
by Ian Patterson
With dreadlocks tumbling over his shoulders, Li Gao Yang already cuts a striking figure. When he's on stage blowing his tenor saxophone and leading his quartet with quiet assurance, the impact is all the greater. Chinese jazz stars are few and far between, at home or abroad, but already this unassuming musician from Beijing has appeared ...
Bobby Zankel's Warriors Of The Wonderful Sound In Old City Philadelphia Thursday, December 20th!
Jazz Bridge in Old City Philadelphia! presents saxophonist Bobby Zankel and his Warriors of the Wonderful Sound big band at the Arch Street Friends Meeting House (East Room) — 320 Arch Street in Philadelphia — on Thursday, December 20th. Tickets are $10, $5 for students, and are available only at the door. Show time is 7:30. ...
Bob Mintzer: Amazing Reach
by Bob Kenselaar
For about half of his four decade-long career in jazz, Bob Mintzer has been a member of the Yellowjackets, one of the most enduring, distinctive and creative bands in contemporary jazz. But, oddly enough, this association is a relatively small slice of Mintzer's remarkably multifaceted life in music as a saxophonist, bass clarinetist, composer, arranger, educator ...
Matt Garrison - Saxophone: Blood Songs
by Edward Blanco
Presenting a primarily original repertoire of sparkling modern jazz, New York saxophonist Matt Garrison follows up his critically acclaimed debut, Familiar Places (DCLEF, 2011), with Blood Songs, an audacious musical tribute to his loving parents. With the exception of producer/trombonist Michael Dease, Garrison assembles a new all-star list of players, including veterans like saxophonist Eric Alexander ...
Eric Alexander / Vincent Herring: Friendly Fire
by Jack Bowers
For those who long for the time when hard bop reigned supreme, Blue Note and Prestige Records were riding high, and no-holds-barred saxophone cutting contests and unscripted jam sessions were the order of the day, here's a sure cure for any lament that those days are lost and gone forever. From the opening notes of Friendly ...
Music Matters and the Blue Note Oddballs
by Greg Simmons
In its heyday, Blue Note records had a relatively stable roster of musicians. Leaders including saxophonist Hank Mobley, trumpeter Freddie Hubbard, pianist Horace Silver and saxophonist Lou Donaldson all released lengthy strings of records during recording relationships that were measured in years. Some players, like bassist Paul Chambers, became de facto house musicians for the label, ...
On White Guys Playing The Blues, and Benny Goodman Practicing Nude
by Mort Weiss
Yes, I drank muddy water--and slept in a hollow log! Um, hmm! I said that I steady drank muddy water, and slept in a hollow log. Ah huh! An' all I wanna do is tell my story on dis here music blog. Oh, yeah!The blues. If you can't play them, you ain't never had ...
Curtis Fuller: Down Home
by Florence Wetzel
The jazz world of the fifties and sixties was undeniably a golden age, and legendary trombonist Curtis Fuller was one of the era's key voices. Throughout his sixty-year career, Fuller has worked with some of jazz's foundational players: he appears on saxophonist John Coltrane's Blue Train (Blue Note, 1957), he was part of drummer Art Blakey's ...
Hank Mobley: Newark, 1953
Everyone in jazz had to start somewhere. In the case of tenor saxophonist Hank Mobley, that start came in Newark, N.J. Though Mobley had recorded in April 1953 with Max Roach's sextet and quartet for Debut (a short-lived label founded by Roach, Charles Mingus and Mingus's then wife, Celia), Mobley wasn't recorded again until September 28, ...
Brian Patneaude: All Around Us
by Andrew J. Sammut
An active part of the jazz scene in New York's Capital District, Brian Patneaude's fifth album shows off his originality and depth as a tenor saxophonist and composer. The six original compositions and two covers on All Around Us were “inspired by people, places and events" in Patneaude's life, adding a personal gravity to the assured ...
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