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Mike LeDonne: Where There’s Smoke
by Bob Kenselaar
Mike LeDonne has more than made his mark in jazz over the years, on both piano and organ. One of the New York jazz scene's premier instrumentalists, he's long been a favorite of fellow musicians. “He is incredible," said the late Oscar Peterson, who once described how he would rush to hear LeDonne play every night ...
Jazz Musician of the Day: Hank Jones
All About Jazz is celebrating Hank Jones' birthday today! The oldest of the three Jones brothers (Hank, Thad and Elvin), Henry “Hank" Jones (born July 31, 1918) was born in Vicksburg, Mississippi and grew up in Pontiac, Michigan, where he studied piano at an early age and came under the influence of Earl Hines, Fats Waller, ...
Steve Bailey Named Chair of Berklee's Bass Department
Berklee College of Music announces that Steve Bailey has been named chair of the college's Bass Department. Bailey, six-string fretless bass pioneer, educator, and author, begins his tenure this summer. He succeeds Rich Appleman, who retired in May 2012 after holding the position for 40 years. A partial list of Bailey's extensive recording and performance credits ...
Christian McBride: Knocking on the Door
by Bob Kenselaar
Christian McBride was talking about the Grammy he received in October, 2011 for his big band album, The Good Feeling (Mack Avenue, 2011)--his first Grammy as a leader and third overall. While the bassist certainly appreciated getting the nod from his peers and from the Recording Academy, he said he gets just as much of a ...
Kenny Barron and Ron Carter Awarded for Lifetime Contributions to Jazz
The DC Jazz Festival (DCJF) will present its annual Lifetime Achievement Award to two of the world’s most renowned jazz artists, Kenny Barron and Ron Carter, at its 8th annual Festival, held June 1-10. Each year the DCJF honors jazz greats for their indelible lifetime contributions to jazz and humanity. Past awardees include Jimmy Heath, Eddie ...
Don Redman: Setting the Template
by Jim Gerard
As someone who came to jazz as a young man in the 1970s, I can attest that subsequent generations of both its chroniclers and, even sadder, its practitioners, have succumbed to the peculiarly and regrettable American disease of a-historicism. They've shoved jazz history through a sieve, reducing it from an epic tale of heroic ...
Eddie Gomez: Per Sempre
by Dan Bilawsky
Bassist Eddie Gomez has never received the attention he deserves as a leader. While that's largely due to the fact that he spends so much time making other people sound better, the reason isn't important; it's an injustice, regardless of the cause. His pliant and flexible bass has been the binding agent and rhythmic-melodic-harmonic go-between responsible ...
England Swings Like A Pendulum Do
by Skip Heller
Several years ago, when the Skip Heller Trio was touring all the time, I came across a disc called London Is The Place For Me: Trinidadian Calypso In London, 1950-1956 (Honest Jons, 2002), a collection of calyspo music recorded in London. The music and accompanying thick booklet were full of revelations: the history of postwar migration ...
Dan Cray: Meridies
by C. Michael Bailey
There is nothing iconoclastic about pianist Dan Cray. He derives his piano style more from Tommy Flanagan and Hank Jones than Matthew Shipp or Ran Blake. He has been driving a trio through four previous recordings: Who Cares (Cray Sounds, 2001); No One (Blujazz productions, 2003); Save Us! (Blujazz productions, 2005); and Over Here Over Heard ...
Take Five With Skip Heller
by AAJ Staff
Meet Skip Heller: Grew up in Philly, enticed by all kinds of improvised music--jazz, bluegrass, blues, rockabilly. Played with Yma Sumac, Phil Alvin, Les Baxter, Wanda Jackson, DJ Bonbrake, Cannibal and the Headhunters, NRBQ, Karen Mantler... get the idea?Instrument(s): Guitar.Teachers and/or influences? Mose Allison, Willie Nelson, ...
