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Hamiet Bluiett
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The finest baritone saxophonist of the 1970s and beyond, Hamiet Bluiett has demonstrated a huge, impressive sound, superb technique, and a mastery of his horn in every register. In his solos, he can provide an array of tonal colors and harmonic options. A first-rate free player who's as proficient on standards as in blues, Bluiett has played in many excellent groups, has led his own bands, and has been featured on numerous magnificent recordings. Bluiett took music lessons from his aunt, who was a choral director, and started on clarinet at age nine. In late adolescence, he attended Southern University, where he studied clarinet and flute
Alex Harding, Lucian Ban: Blutopia
by Neri Pollastri
Il pianista Lucian Ban e il sassofonista baritono Alex Harding, assidui collaboratori dalla fine degli anni Novanta, riuniscono qui un quintetto di stelle per interpretare una musica assai diversificata di brano in brano e la cui sintesi è forse espressa da una citazione del filosofo Ibn Al-Arabi riportata nel libretto, la quale celebra il movimento quale ...
Dudley Moore, Don Cherry, Dizzy Gillespie, Black Jazz, Soul Note, Pablo Records and more...
by Andy Crowther
Recent reissues, discoveries and favourites from around the world. Playlist The Cannonball Adderley Quintet “Lisa" from Plus (Riverside) 00:00 Eric Kloss “You'd Be So Nice To Come Home To" from Love and All That Jazz (Prestige) 07:51 The Dudley Moore Trio “Amalgam" from The Dudley Moore Trio (Decca) 13:12 Jazz Crusaders “It's Gotta Be ...
The Hemphill Stringtet: The Hemphill Stringtet Plays the Music of Julius Hemphill
by Mark Corroto
Let us borrow a famous tagline from the dairy industry: Got Hemphill? If not, it is time to take a closer listen. Julius Hemphill (1938-1995) was a towering figure in the creative music scenes of both St. Louis, where he co-founded the Black Artists' Group (BAG), and New York's vibrant loft jazz scene of the 1970s ...
Ten Terrific Sax Plus Organ Combinations
by Artur Moral
OK, maybe the electric guitar was its first and most celebrated love affair, but the organ's alliances with the saxophone's family members are undoubtedly among the richest musical combinations, both in terms of sound and the intense interrelationships that typically develop in such encounters. Whether it be a tenor with a Hammond, a soprano with an ...
Anthony Braxton Saxophone Quartet: Sax QT (Lorraine) 2022
by Alberto Bazzurro
A mezzo secolo esatto dal suo primo esperimento in materia, la “Composition 23A" (rombo-30-EGN-KBM-78, secondo la connotazione grafica tipica delle pagine braxtoniane dell'epoca, che qui non possiamo per ovvi motivi riprodurre nella sua completezza) datata fra il 27 settembre e il 16 ottobre 1974 e riunita poi con altre cinque di diversa natura in New York, ...
Jazz on Soul, Pop, Rock, Folk, and other intangible territories - Part 2
by Artur Moral
Part 1 | Part 2 James Carter soloing on a song by Sting? A prolific French guitarist and producer, approaching his thousandth album, deconstructing one of Billy Joel's most candid love songs? A Spanish trumpeter translating the Bee Gees into the jazz language? Yes, all this will happen in this second installment of a ...
James "Plunky" Branch: Afrobeat, Funk e Spiritual Jazz
by Angelo Leonardi
Da circa un decennio il jazz statunitense e britannico vede l'emergere di giovani protagonisti che spezzano i confini tra i generi “colti" e popolari, operando una sintesi sfaccettata tra le molte espressioni della black music. Un torrente tumultuoso che viene alimentato dalle spinte politico-identitarie della comunità afroamericana (la rinascita dell'Afrofuturismo, il movimento Black Lives Matter), che ...
Hamiet Bluiett, A Coltrane Interview, Natural Info. Society, Veronica Swift
by David Brown
Welcome friends and neighbors to The Jazz Continuum. Old, new, in, out... wherever the music takes us. Each week, we will explore the elements of jazz from a historical perspective. This week, let's celebrate the birth anniversary of Hamiet Bluiett; check out John Coltrane ending his time with Miles in an interview from Stockholm 1960; and ...
Ed Cherry: Always Groovin’
by R.J. DeLuke
"I liked the look of it--I like the sound--the feel," says renowned guitarist Ed Cherry about the guitar, an instrument he has been playing for more than half a century. He long ago became a first-rate player with a warm sound and joyous approach. He is also diverse. He's played a myriad of styles ...
