Home » Search Center » Results: Hamburg
Results for "Hamburg"
Take Five With Martin Zenker
by AAJ Staff
Meet Martin Zenker:Martin Zenker was born in Munich and has been a freelance bassist since 1987. Performance credits include Jimmy Cobb, Billy Hart, James Moody, Jim Snidero, Steve Grossman, Barbara Morrison, Peter King, Don Braden and many more. Now based in Hamburg, he was Professor of Bass and Jazz History in Seoul, South Korea ...
Trilok Gurtu: Spellbound
by John Kelman
In a 35-year career that's stretched from Oregon and saxophonists Jan Garbarek and Charlie Mariano, to violinist Shankar and guitarists John McLaughlin and Nguyên Lê, Trilok Gurtu has established a very specific talent. Few kit drummers are as adept as Gurtu on tabla and the Indian konnakol vocal percussion tradition; conversely, few tablaists/konnakol experts are as ...
ELBJazz Festival 2013: Hamburg, Germany, May 24-25, 2013
by John Kelman
ELBJazz FestivalHamburg, GermanyMay 24-25, 2013Attending a multitude of festivals each year, there's always the challenge of finding the hook--the thing that makes a festival different from any other. When it comes to Hamburg's ELBJazz Festival, now only in its fourth year, it's easy. A harbor town on the Elbe River, located just 70 ...
A Jazz Piano Celebration, April 4, 2013: Alan Broadbent, Ayako Shirasaki, Boris Netsvetaev, Wolfgang Schlüter Quartet, Hammer Klavier Trio
Jan Matthies Music Management is celebrating its 5th birthday, dedicating the evening to Solo Jazz Piano and Trio. The artists of Jan Matthies Music Management all come together at the prestigious Laeiszhalle in Hamburg, Germany. 20.00 – 20.30 Alan Broadbent, solo & trio one of the greatest living jazz pianists" – The Los Angeles Times about ...
Wolfgang Schlüter Quartet & NDR Bigband: Visionen
by Dan Bilawsky
Visionen may be the best big band recording that went largely unheard in 2012. The music itself was hiding in plain sight, available for purchase from the usual on-line mega-stores (i.e. Amazon.com) and download sights (i.e. iTunes), but the record received scant attention in jazz circles, and the majority of the attention it did receive came ...



