Results for "Groovy"

Glam Sam And His Combo

Active since: 2008

Glam Sam and his Combo is the brain child of Mats Samuelsson, a Stockholm-based journalist, writer and music lover.

Back in the days he got involved in a promising indie jazz-pop duo in Sweden, but after a couple of fine demos the dudes quit the game and returned to university.

Suddenly, too many years later, Mr Samuelsson stepped out as Glam Sam, formed his Combo and started a musical adventure based on pure joy. Only one thing was settled: the music should be, must be and will be: Groovy!

During a year of inspirational fun, the debut album evolved and got filled with all the things Glam Sam loves about music: the jazz, the disco, the funk and the soul, the grooves and the coolness as well as fun samples and top vocals. The bubbling jazzy and funky rhythm section is accompanied with swaying pianos, rhodes, groovy guitars and organs, playful horns and, yeah, some vibraphones as well.

Benita Haastrup

The Neighborhood Quartet

The Neighborhood Quartet’s music is as varied as its members’ résumés—as improvisers, they’re adept at navigating jazz harmony; as writers they understand the shape of folklike melodies—but, if they had to be classified, you could say they pursue a distinctly midwestern take on the tradition of R&B and pop instrumental groups. Such groups were thicker on the ground in the sixties and seventies: Booker T. & the MG’s, Young-Holt Unlimited, the Meters, and broadly kindred bands such as the more jazz-aligned Crusaders. On its self-titled debut album, the Neighborhood Quartet doesn’t explicitly sound like any of that—they aren’t retrogressive or imitative—but they tap into the tradition’s sensibility: sticky melodies laid on top of supple funk; clever, economical arrangements; tasty and succinct solos. For the group’s guitarist and lap-steel ace, Dan Schwartz, the NHQT has two principal modes, both evocative of motion: their groovy side, likened to cruising through the streets of the quartet’s native Twin Cities; and their ethereal side, likened to floating above the nearby prairie. Indeed, the album’s bright, hooky opener, “Hey Fellas,” written by the band’s vibraphonist, Steve Roehm, would sound great coming from a car stereo on one of the long commercial streets of Minneapolis (or Detroit, for that matter). Meanwhile, Schwartz’s plaintive “End of October” could soundtrack a country drive where with each second the windshield frames a new classic of landscape art. 

The Beatnik Preachers

Active since: August 14, 1962

Musically Exquisite, Lyrically Explicit - Artistically Evocative, Socially Provocative -  the Beatnik Preachers meld a blistering style of jazz with original beat-poetry to form a unique ensemble that provides a palette for both the ears and the mind.

Anthony Norris (trumpet and spoken word) joined by Rob Burke (sax) gather the funky drumming of  Miles Henry and the groove of bassist Nick Haywood to drive a quintet allowing the sublime piano of Joel Louis to evoke and provoke both melody and harmony. Norris and Burke are melodically divine yet technically elaborate, thereby adding a unique interplay of risk and trust within the ensemble that is joyous and raucous. Firmly in the spirit of jazz whilst celebrating the human condition and investigating issues that currently face each and every one of us.

Organ Fairchild

Born: November 8, 1964

Voted #1 out of 64 up-and-coming bands in NYS Music's statewide March Madness competition (2021), Organ Fairchild has been described as a musical party that won't quit. Take your old-school organ trio, add dance-heavy grooves and adventurous jamming, and shake vigorously. Enjoy all night long. Joe Bellanti - organ and keyboards Corey Kertzie - drums and percussion Dave Ruch - guitar

Sophomore album "Leisure Suit" released September 8, 2023 on Organ Fairchild Records.

Debut album "Brewed in Buffalo" released September 15, 2021 on Organ Fairchild Records.

Teis Semey

Born: March 22, 1993

Born in Aalborg, Denmark, in 1993, Teis Semey is far from your typical jazz guitarist. Semey, the "bad boy of Dutch Jazz", celebrated for his "punk-infused avant-garde indie-jazz" is an honest, collectivist virtuoso with something to say and the tools to do so.

Semey's artistry pulls from all directions: the raw energy of punk, the contemplative beauty of Scandinavian church music, and the boundless improvisation of jazz.

Semey's approach to music is a mix of punk's raw energy, the reflective qualities of Scandinavian church music, and the improvisational spirit of jazz

Joel Holmes

Born: December 6, 1982

Joel Holmes began teaching himself tunes by ear at age 10. He grew up playing with local bands and primarily in church. His family soon moved from Virginia to Baltimore so that he could attend the Baltimore School for the Performing Arts. Later, Joel Holmes became the Director of Jazz at his alma mater. He attended the Peabody Conservatory of Music at John Hopkins University where he earned a Bachelor of Arts in Jazz Performance. Over the years, Joel has received numerous honors including 2 Grammy Nominations, a gold medal in the Act-so competition of the NAACP, and honorable mention in the John Lennon Songwriting Competition, a finalist in the fifth annual Independent Music Awards and an honorable mention in the VH1 Song of the Year Awards

Groovy

By Chet Baker

Label: Pacific Jazz Records
Released: 2010

Groovy

By Red Garland

Label: Prestige Records
Released: 1957
Track listing: C-Jam Blues; Gone Again; Will You Still Be Mine?; Willow Weep for Me; What Can I Say After I Say I'm Sorry?; Hey Now.

Red Garland Trio: Groovy

by Douglas Payne
November 1, 1999

This trio was known as the rhythm section when Groovy was made. Pianist Red Garland (1923-84), bassist Paul Chambers (1935-69) and drummer Art Taylor (1929-95) were in the midst of a long tenure with Miles Davis and stayed busy in studios backing one horn player after another. The unit's simpatico refinement never wavers in doubt. They ...