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We Want Groove: Rock Candy Funk Party
by Glenn Astarita
This quartet repurposes the jazz-funk sounds of yesteryear into a tasteful, eclectic mix, packed with memorable compositions and aided by the crystalline recording process, enabling the music to breathe amid great detail and depth. Featuring blues-rock guitar hero Joe Bonamassa trading licks with guitarist Ron DeJesus, Rock Candy Funk Party was recorded at drummer Tal Bergman's ...
Norbert Stein: Pata On The Cadillac
by Glenn Astarita
German tenor saxophonist Norbert Stein is a distinguished composer and leader. He can prompt laughter, despair, and mesmerize the listener via regimented arrangements, sparked by difficult time signatures and multilayered sound mosaics. A self-described patamusician, inferring the Pataphysics movement started in 1948 by French playwright Alfred Jarry, Stein proffers an existential realm of thought, equated to ...
The Engines: Other Violets
by Glenn Astarita
The Chicago-based ensemble's third outing is a dynamic and progressive undertaking, but poignant due to the passing of saxophone legend John Tchicai (Don Cherry, New York Art Quartet, Archie Shepp) who passed away on October 8th, 2012. He joined the unit, making a guest appearance, for this live set recorded on May 15th 2012 at Chicago's ...
Antonio Sanchez: New Life
by Glenn Astarita
Add Antonio Sanchez's name to the list of modern era drumming titans. He cut his teeth with guitarist Pat Metheny amid stints with vibraphonist Gary Burton and first-call session activities, paralleling his burgeoning solo career that continues to flourish. Sanchez always performs with his peers, and with the superstar dual sax attack of David Binney and ...
Joelle Leandre & Jerome Bourdellon: Evidence
by Glenn Astarita
Bass and flute represent significant tonal contrasts and here, flutist Jerome Bourdellon and world-renowned bassist, composer and improviser Joelle Leandre divulge innumerable perspectives and quite a bit of food for thought on these duets. However, Bourdellon employs bass clarinet and bass flute on two tracks, as no other instruments are nestled into the mid-sections of the ...
Barry Altschul: The 3dom Factor
by Glenn Astarita
Approaching five decades of residing in the cutting-edge of modern jazz development, drummer Barry Altschul's influence and legacy as a drummer is rather legendary. Performing on groundbreaking albums with Chick Corea, Anthony Braxton, Dave Holland and many others too numerous in scope to cite, the artist surges onward through the inner-workings of this flexible and dynamic ...
Gunslinger: Breaking Through
by Glenn Astarita
Through the clever minds of DJs Anthem and Vidal, this electronica outing indeed meshes the old and the new as touted via the marketing push. With the customary pumping electric bass lines, blitzing synth patterns, and multicolored noise-shaping endeavors, the artists blend traditional house party metrics with an enterprising, rock-heavy sound. Complemented by pop-rock vocals, offbeat ...
Rob Mazurek Octet: Skull Sessions
by Glenn Astarita
Chicago-based cornetist Rob Mazurek has performed with the best and brightest of the new jazz music scene. On this outing he merges his Sao Paulo Underground and Starlicker bands and invites other artists, capturing the essence of Miles Davis' Bitches Brew era. Mazurek frames Davis' jazz-fusion attributes as a fertile means of reimagining the overall vibe ...
Chris Clark Quintet: Cedar Wisely
by Glenn Astarita
This quintet was assembled for the recording of this album by young saxophonist Chris Clark, incorporating the talents of veteran saxophonist Peter Epstein who is also the department head for the University of Nevada, Reno where Clark also studied. With his debut effort as a leader, Clark enacts a concentrated focus on the compositional aspects, and ...
Splashgirl: Field Day Rituals
by Glenn Astarita
This Scandinavian trio recorded its fourth album in Seattle, WA featuring resident violaist Eyvind Kang and synth performer Timothy Mason lending their wares during various segments. An atmospheric engagement projecting a sense of antiquity, it's often what the musicians don't play that establishes the premise for the artful and rather haunting song-forms executed throughout their cunning ...
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