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79

Article: Album Review

David Cross: Crossing the Tracks

Read "Crossing the Tracks" reviewed by Glenn Astarita


Violinist extraordinaire David Cross made a significant impression during his early 1970s tenure with King Crimson, performing on three seminal albums: Larks' Tongues in Aspic (Island, 1973), Starless and Bible Black (Island, 1974) and Red (Island, 1974). Other than some gaps, Cross has been active via his David Cross Band that has issued several albums, in ...

87

Article: Album Review

Welf Dorr Unit: Blood

Read "Blood" reviewed by Glenn Astarita


NY-based, German saxophonist Welf Door pilots this exciting multinational quartet through hardcore jazz fusion, funk, and detours into the solar system via these impressive pieces, often executed with tenacity and forthright intentions. Essentially, the band packs a massive punch as they grind out a diverse track mix with plenty of flare-ups, embellished with progressive jazz lines ...

85

Article: Album Review

Roz Harding - Mike Outram - Jim Bashford: Super Mood

Read "Super Mood" reviewed by Glenn Astarita


The trio covers several acres of musical terrain on this inspiring debut led by British saxophonist/educator, Roz Harding (Mike Westbrook's Uncommon Orchestra, Paul Dunmall). Indeed, it's one of those unanticipated surprises that at the very least, adds a nouveau light to the possibilities of what a hip, small ensemble rendezvous can generate. Harding and ...

80

Article: Album Review

District 5: Decoy

Read "Decoy" reviewed by Glenn Astarita


Without getting too far into the initial spin of this record, it became apparent that the musicians of District 5 emit impressions of youth, armed with a penchant for adventure and unbridled momentum. Soon afterwards, the assumption was confirmed: the Swiss artists are--via information gleaned from a press pitch on Intakt Records website--in their twenties. Heartiness, ...

79

Article: Album Review

Aram Shelton & Håkon Berre: Dormancy

Read "Dormancy" reviewed by Glenn Astarita


San Francisco Bay Area resident, alto saxophonist Aram Shelton and Norwegian drummer/percussionist Håkon Berre recorded this dynamic session in a studio outside of Copenhagen. Each musician is highly respected in their home turf and beyond, although Shelton has led bands and collaborated with the crème de la crème of fearless improvising risk-takers in the US since ...

85

Article: Album Review

Z-Country Paradise: Live in Lisbon

Read "Live in Lisbon" reviewed by Glenn Astarita


The multinational quintet revs up the audience on this wild and scruffy excursion that skirts a misty demarcation between punk jazz and avant-garde improvisation along with off-kilter jazz rock tendencies. Vocalist Jelena Kuljic's guileful and emotive iterations instill hip, Beat Generation-like narratives in concert with the band's jarring and edgy grooves via some recoiling breakouts and ...

75

Article: Album Review

The Man From Ravcon: Another World

Read "Another World" reviewed by Glenn Astarita


The Man From RavCon, aka Mike Brown, fuses new and old ambient-electronic techniques, phrasings and textures with tight rock grooves amid his gifts as a supreme melody-maker. Based in Charlotte, NC., he was a member of a power-pop unit known as The Ravelers. Brown is a multi-instrumentalist who unleashes his third solo venture with an enticing ...

77

Article: Album Review

Nirvana: Black Flower

Read "Black Flower" reviewed by Glenn Astarita


This is not a newly unearthed recording by the Seattle-based grunge rock band, Nirvana. Hence, this Nirvana was a short-lived progressive pop unit that formed in 1965, led by the duo of Irishman Patrick Campbell-Lyons and Greek composer Alex Spyropoulos, both supplying the vocals. Once again, UK-based Cherry Red Records stokes the olden flames to remaster ...

76

Article: Album Review

Thomas Kolarczyk Ensemble: Halbtraume

Read "Halbtraume" reviewed by Glenn Astarita


Germany-based Double Moon Records' long-running series, “JazzThing: The Next Generation" places a spotlight on young European talent attempting to break into the modern jazz rank and file. Indeed, there have been some gems in this series of albums. Here, bassist Thomas Kolarczyk's Ensemble, comprised of German and Polish jazz artists, marks the 72nd volume, and is ...

83

Article: Album Review

Hashima: The Haywain

Read "The Haywain" reviewed by Glenn Astarita


This Serbian band often develops passages with the impetus and intent of a hunter stalking its prey. With asymmetrical jazz-rock, punk-jazz and free-form excursions amid Balkan folk themes, the musicians' animated buildups and intertwining motifs are anchored by drummer Aleksander Hristic and bassist Vanja Todorovic power-packed grooves and fluent outbreaks. As the band's second album reaffirms ...


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