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48

Article: Album Review

What You May Call It: Da Qi

Read "Da Qi" reviewed by Glenn Astarita


Emerging from New York's experimental underground, What You May Call It treats the avant-garde less as a destination than as a starting point. Da Qi (Chinese for atmosphere or elegant) pushes that logic hard enough to test even seasoned listeners. This is not a record interested in easing anybody into the experience. The band rarely signals ...

46

Article: Album Review

Quinsin Nachoff: Patterns from Nature

Read "Patterns from Nature" reviewed by Glenn Astarita


Quinsin Nachoff, a Canadian-born saxophonist and composer now based in New York, has long pursued deep connections between music, science, and visual form. Patterns from Nature grew from an extended collaboration with physicist Dr. Stephen Morris of the University of Toronto, drawing on concepts of emergent order in natural systems. The project spread itself across several ...

51

Article: Album Review

Krokofant: 6

Read "6" reviewed by Glenn Astarita


Krokofant is a Norwegian trio formed in 2011, built around the combustible chemistry of Tom Hasslan on guitar, Jorgen Mathisen on saxophone and synthesizers, and Axel Skalstad on drums. After two albums as a five-piece, they stripped back to their original trio format for 6, and the results are formidable. “Oh My God" announces ...

46

Article: Album Review

Freysteinn Gíslason: Thoughts

Read "Thoughts" reviewed by Glenn Astarita


Freysteinn Gíslason is an Icelandic double bassist and composer whose musical path started at home before taking him to the Royal Conservatorium in Den Haag. That background clearly shapes his playing, yet what truly sets him apart is his restraint. He has little interest in turning every track into a showcase of virtuosity. Instead, he hunts ...

46

Article: Album Review

Lao Dan / Vasco Trilla: New Species

Read "New Species" reviewed by Glenn Astarita


There is a moment on “Tea Horse Road," the album's fourth track, where the saxophone drops to a near whisper and the percussion seems to breathe rather than strike. You realize you are not listening to two musicians from opposite sides of the world so much as two people who have agreed, without a word, on ...

49

Article: Album Review

Pierre Favre: Bird Food

Read "Bird Food" reviewed by Glenn Astarita


Captured live at Radio Studio Zurich in 1968, this is the earliest known recording of the Pierre Favre Trio, dormant for more than half a century until Favre and trombonist Samuel Blaser unearthed it while sorting through forgotten tapes. That it survived at all feels faintly miraculous, the jazz equivalent of finding cash in an old ...

55

Article: Album Review

Dave Douglas: Transcend

Read "Transcend" reviewed by Glenn Astarita


Dave Douglas has spent a career dodging his own shadow, and that restlessness is precisely what keeps his catalog from ever feeling stagnant. Transcend locates its friction point between two titans who seem unlikely to share the same oxygen: the spiritual grandeur of Duke Ellington's Sacred Concerts and the dense, mosaic canvases of painter Jack Whitten.

59

Article: Album Review

Whatever Happens Don't Be Yourself: Tales of Consequence

Read "Tales of Consequence" reviewed by Glenn Astarita


The name sounds less like a band title than advice shouted across a dimly lit house party: Whatever happens, do not be yourself. Absurd, funny, and strangely apt, the moniker sets a subversive tone for Tales of No Consequence, the fifth album from this Bergen-based nonet led by the drummer and composer Nils Are Drønen.

61

Article: Album Review

Nolatet: Somethin' To Relax With

Read "Somethin' To Relax With" reviewed by Glenn Astarita


Nolatet unites four veteran voices from the New Orleans jazz scene. Bassist James Singleton and drummer Johnny Vidacovich have formed one of the city's most durable and inventive rhythm sections since the late 1970s, anchoring Astral Project and backing everyone from Professor Longhair to Dizzy Gillespie. Vibraphonist Mike Dillon brings his trademark guerrilla energy and percussive ...

62

Article: Album Review

Things Of This Nature: Things Of This Nature

Read "Things Of This Nature" reviewed by Glenn Astarita


Caylie Davis grew up in Eugene, Oregon, playing trumpet in a town not exactly known for avant-garde-leaning jazz before making her way to New York to enroll at the Manhattan School of Music. There, she studied under Ingrid Jensen, Nadje Noordhuis and Jon Faddis--three players who, between them, cover a wide stylistic range. Davis casts an even ...


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