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122

Article: Album Review

Harrison Smith Quartet: Outside Inside

Read "Outside Inside" reviewed by Glenn Astarita

by Glenn Astarita

The U.K. based, “Harrison Smith Quartet” provides substantial correlation to the title of its new CD, as they most effectively delve into the outside and inside of modern jazz with this set consisting of exceptionally strong material. Multi-reedman, Harrison Smith leads his band through a series of intricately devised movements, spanning lushly organized voicings, budding undercurrents ...

154

Article: Album Review

Parker / Guy / Lytton / Schlippenbach / Lovens: 2 x 3 = 5

Read "2 x 3 = 5" reviewed by Glenn Astarita

by Glenn Astarita

2x3=5 connotes the merging of two trios: pianist Alexander von Schlippenbach, saxophonist Evan Parker, drummer Paul Lovens and Parker's longtime associates, bassist Barry Guy and drummer Paul Lytton. However the thrust behind this fascinating seventy-seven minute presentation, resides within the artists' abilities to regenerate a hodgepodge of sub-themes into a series of propulsive statements marked by ...

108

Article: Album Review

Noah Howard featuring Kenny Clarke: Red Star

Read "Red Star" reviewed by Glenn Astarita

by Glenn Astarita

Alto saxophonist, Noah Howard is a highly regarded free jazz musician who possesses a silvery tone to complement his brazen attack and melodious phraseology. However, Red Star is a noteworthy reissue of a 1977 session, originally released in Europe on the “Phonogram/Mercury” label, as we find the saxophonist aligning his wares with legendary Bop drummer, and ...

84

Article: Album Review

John Harrison Trio: Roman Sun

Read "Roman Sun" reviewed by Glenn Astarita

by Glenn Astarita

The folks at Rhode Island-based, “Whaling City Sound” continue to highlight the abundance of jazz talent emanating from the New England area. The celebration surges onward with the debut release by the “John Harrison Trio.” On this newly issued outing, pianist John Harrison guides his rhythm section through a program consisting of standards, one Harrison original ...

403

Article: Album Review

Mario Pavone: Totem Blues

Read "Totem Blues" reviewed by Glenn Astarita

by Glenn Astarita

Having spent several fruitful years performing with the late, great saxophonist/composer, Thomas Chapin amid numerous session dates, bassist/composer, Mario Pavone renders his third Knitting Factory Records release titled, Totem Blues. Here, the bassist utilizes the laudable talents of long time running mates, pianist Peter Madsen and drummer Matt Wilson along with some up and comers and ...

107

Article: Album Review

Sylvia Hallett: White Fog

Read "White Fog" reviewed by Glenn Astarita

by Glenn Astarita

Multi-instrumentalist, Sylvia Hallett turns to the bicycle wheel as a means of musical expressionism on this recording also featuring the artist’s utilization of digital delays, voice improvisation, and violin. Ms. Hallett’s resume includes involvement with the “London Musicians Collective,” British free jazz pioneers, saxophonist Lol Coxhill, vocalist Phil Minton and others, yet here she pursues shifting ...

137

Article: Album Review

Sam Newsome: Global Unity

Read "Global Unity" reviewed by Glenn Astarita

by Glenn Astarita

Sam Newsome performs solely on soprano saxophone with his debut for 'Palmetto Records' while continuing his affinity for integrating World rhythms, disparate modalities and endearing melodies into exotic frameworks for jazz-based motifs. Here, the artist views his second 'Global Unity' release as being somewhat of an expansion over his 1999 effort. Essentially, Newsome's mindset, or approach ...

117

Article: Album Review

William Roper with Judicanti Responsura & Zen Tsuba: Juneteenth

Read "Juneteenth" reviewed by Glenn Astarita

by Glenn Astarita

California-based tubaist William Roper is among an elite few of virtuosi who are capable of extending their instruments range and capabilities to previously unvisited terrain. The artist is also known for his involvement with legendary new music/modern jazz icons Anthony Braxton and James Newton amid stints with other notables who generally alter or extend the tried ...

137

Article: Album Review

Misere et Cordes: Au Ni Kita

Read "Au Ni Kita" reviewed by Glenn Astarita

by Glenn Astarita

“Misere et Cordes” signifies a quartet of French guitarists who cleverly meld an amalgamation of electro/acoustic-based discordant musings with experimental inclinations that often parallels some of the work brought to fruition by guitarist, Derek Bailey and others of note. Here, Pascal Battus performs on “surrounded” guitar, which encompasses amplified percussion, e-bow, radio and electronics, whereas Emmanuel ...

110

Article: Album Review

Lunar Chateau: Beyond The Reach Of Dreams

Read "Beyond The Reach Of Dreams" reviewed by Glenn Astarita

by Glenn Astarita

With their second release, the three brothers known as “Lunar Chateau”, continue to incorporate synth textures with hard driving, predominately straight-four rhythms and vocals, yet here, the band surges onward with mixed results. The opener, “Olympus Mons” features keyboardist Novak Sekulovich’s regally pronounced lead synth lines, atop a simply stated and relatively catchy hook, whereas nondescript ...


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