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106

Article: Album Review

Lars Scherzberg-John Hughes-Jeff Arnal: Top Floor Encounter

Read "Top Floor Encounter" reviewed by Glenn Astarita

by Glenn Astarita

German composer, Dietrich Eichmann’s “Oaksmus” label is rooted within free jazz, avant-garde classical and electronics-based formats. Here, Americans, Jeff Arnal (percussion) and John Hughes (bass) align their wares with German alto saxophonist, Lars Scherzberg for a program consisting of nine free-style opuses that often spur notions of the British free jazz movement.A graduate of ...

83

Article: Album Review

Umberto Petrin (Splasc: Voir Loin

Read "Voir Loin" reviewed by Glenn Astarita

by Glenn Astarita

Pianist, Umberto Petrin is known for his work with the widely acclaimed “Italian Instabile Orchestra,” while generally residing as one of Italy’s premier modern jazz pianists. Petrin once again attains a comfort zone performing alongside his longtime musical companions, bassist, Giovanni Maier, and drummer, Roberto Dani. Saxophonist, Assif Tsahar joins the group on two tracks, while ...

135

Article: Album Review

The Omer Avital Group: Think With Your Heart

Read "Think With Your Heart" reviewed by Glenn Astarita

by Glenn Astarita

These days, when a young bassist leads a horns-based band, the comparisons and correlations to the late Charles Mingus become inevitable. Israeli-born bassist/composer Omer Avital delivers the goods in prominent fashion while exhibiting star-like qualities on his debut solo offering, entitled Think With Your Heart ! The band launches into a zestful Afro-Cuban groove, featuring Jay ...

137

Article: Album Review

Raoul Bjorkenheim: Apocalypso

Read "Apocalypso" reviewed by Glenn Astarita

by Glenn Astarita

Born in Los Angeles, CA and a longtime resident of Helsinki, Finland, cutting-edge guitarist Raoul Bjorkenheim has carved out a successful and somewhat entrepreneurial musical persona in the Euro progressive rock scene. He first came to prominence with the late drummer Edward Vesala's Sound & Fury band, while subsequently creating the avant-garde and widely acclaimed quasi-free ...

103

Article: Album Review

Pablo Ablanedo Octet: From Down There

Read "From Down There" reviewed by Glenn Astarita

by Glenn Astarita

Music is a universal language, although modern jazz tends to enjoy its fair share of transformations and modifications. This notion is outwardly recognizable on this release by Argentine pianist/composer Pablo Ablanedo. While calling Boston, MA home these days, the artist divides his time between education, composition, and performing. With this release, Ablanedo integrates some of the ...

150

Article: Album Review

Jerome Cooper: In Concert - From There To Hear (Solo Percussion)

Read "In Concert - From There To Hear (Solo Percussion)" reviewed by Glenn Astarita

by Glenn Astarita

Drummer/percussionist Jerome Cooper's fruitful musical legacy with the Revolutionary Ensemble and stints with saxophonist/composer Anthony Braxton, pianist Cecil Taylor, and others reads like a who's who in modern jazz. Recorded during two solo live performances spanning 1995-1998, Cooper's remarkable agility and captivating musical spirit is enacted throughout these predominately endearing works. Cooper's polyrhythmic drumming and multitasking ...

98

Article: Album Review

K. Norton - B. Celusak - A. Eulau: Iron Monkey Trio

Read "Iron Monkey Trio" reviewed by Glenn Astarita

by Glenn Astarita

Drummer/percussionist/composer Kevin Norton represents one of jazz's modern day pioneers. Whether performing and recording with saxophonist/composer and new music icon Anthony Braxton or engaging free jazz with serious compositional intentions, the artist has also assisted with the development of students seeking broader horizons. However, this trio-based endeavor suggests a mini collective of sorts, where everyone gets ...

152

Article: Album Review

The Art Ensemble Of Chicago: Live In Milano

Read "Live In Milano" reviewed by Glenn Astarita

by Glenn Astarita

This outing was originally issued as a bootleg LP ( Among the People ) amid some disagreements between the band and the producer, yet all concerns have since made amends as Live In Milano is officially released for the first time. The opening piece, “Tutankhamun," is an eighteen-minute extravaganza featuring Malachi Favors Magoustous's prominently conveyed walking ...

193

Article: Album Review

Fima Ephron: Soul Machine

Read "Soul Machine" reviewed by Glenn Astarita

by Glenn Astarita

Bassist Fima Ephron is well-known for his affiliation with many of the musicians who comprise New York City's fertile and generally investigative Downtown Scene. Ephron's participation with the excellent band Lost Tribe, amid recent collaborations with electric guitar hero David “Fuze" Fiuczynski, signifies only a few of his endeavors besides enjoying first call status as a ...

116

Article: Album Review

The Other Quartet: Sound Stains

Read "Sound Stains" reviewed by Glenn Astarita

by Glenn Astarita

This New York City-based outfit celebrates 2001 with its followup to the irrefutably engaging 13 Pieces. The Other Quartet alludes to a very special aggregation as its moniker might imply that the group represents a bit more than your commonplace mainstream jazz foursome. A bass-less unit, the quartet originally formed by trumpeter Russ Johnson and saxophonist ...


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