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140

Article: Album Review

John Butcher - Phil Durrant - Peggy Lee: Intentions

Read "Intentions" reviewed by Glenn Astarita

by Glenn Astarita

Saxophonist, John Butcher and his British compatriot, violinist, Phil Durrant have performed together on numerous occasions, most notably for the “EMANEM” improvising label. Intentions marks the first trio outing, featuring the duo performing alongside Canadian cellist, Peggy Lee. And based upon the musicians’ respective pasts, the flavor of this production might satisfy many of our expectations. ...

195

Article: Album Review

Justin Morell Quintet: The Music Of Steely Dan

Read "The Music Of Steely Dan" reviewed by Glenn Astarita

by Glenn Astarita

Rock/pop band, “Steely Dan" signified the epitome of hip-ness thanks to a string of monumentally successful recordings. They blended cool, jazzy licks with memorably melodic themes and soul, blues, rock frameworks during their successful 1970's run. In fact, the main proprietors of the band, keyboardist, Donald Fagen, and bassist, Walter Becker hired well-known jazz session musicians ...

293

Article: Album Review

The Necks: Hanging Gardens

Read "Hanging Gardens" reviewed by Glenn Astarita

by Glenn Astarita

This Australian jazz-fusion trio creates quite a bit of music magic via a relatively simple framework. Marked by a repetitive passage that sways in and out of the overall proceedings for the better part of sixty-minutes, the musicians embroider a cavalcade of trance grooves amid drummer, Tony Buck’s peppery beats. Thus, jazzy riffs coalesce with Miles’ ...

194

Article: Album Review

Stanton Moore: Flyin' The Koop

Read "Flyin' The Koop" reviewed by Glenn Astarita

by Glenn Astarita

Drummer, Stanton Moore extends the lineage of the great New Orleans reared drummers along with a deeply personalized and often rip-roaring viewpoint on his latest solo effort. A founding member of the so-called, “steamroller funk" outfit known as Galactic, the drummer and his notable musical associates endow the listener with a downright riotous series of grooves ...

231

Article: Album Review

Vladimir Rezitsky/Jazz Group Arkhangelsk - Orkestrion - Mikhail Chekalin - Petras Vysniauskas - Ganelin/Vysniauskas/Talas: Golden Years of the Soviet New Jazz - Volume II

Read "Golden Years of the Soviet New Jazz - Volume II" reviewed by Glenn Astarita

by Glenn Astarita

This nicely structured collection represents the second of two recently issued 4-CD sets of what has been coined: “Soviet New Jazz.” And while some folks might assume that these are strictly novelty items, that notion does not apply here. Deeply entrenched in classical music, many Russians have exhibited a keen interest in jazz and pop throughout ...

417

Article: Album Review

Idris Muhammad: Power Of Soul

Read "Power Of Soul" reviewed by Glenn Astarita

by Glenn Astarita

“Epic Records” is in the process of reissuing sixteen titles from the popular 70’s contemporary jazz label, “CTI.” Formed by produced Creed Taylor, this label may have been the forerunner for what now is coined, “smooth or contemporary jazz.” Hence, many of the recordings by artists such as pianist, Bob James, flutist, Hubert Laws, and others, ...

95

Article: Album Review

Quetzal: Sing The Real

Read "Sing The Real" reviewed by Glenn Astarita

by Glenn Astarita

The Los Angeles, CA-based nonet, “Quetzal” (the ancient Quetzal bird that continually resisted captivity) brings its distinct flavor of Afro-Chicano type musings to the forefront on Sing The Real. Maybe the elusive nature of the bird typifies the non-conforming demeanor of this band’s alchemistic blend of rock, jazz, and Latin genres, along with a few Mexican ...

178

Article: Album Review

The Josh Roseman Unit: Cherry

Read "Cherry" reviewed by Glenn Astarita

by Glenn Astarita

If you ever wondered whether a musician could transform Elvis Presley's “Don't Be Cruel," into a quasi, calypso-funk groove than stop right here. Well, notions such as these may seem fiendishly theoretical in scope, yet New York City-based trombonist, Josh Roseman's debut solo effort is full of dainty little surprises. Not only he does he pay ...

132

Article: Album Review

Ursel Schlicht's Implicate Order: Sound Quest

Read "Sound Quest" reviewed by Glenn Astarita

by Glenn Astarita

This multinational cast led by pianist, Ursel Schlicht renders some downright invigorating improv on Sound Quest. With the opening piece titled “Sound and Fury,” the soloists’ engage in dynamic interplay, where bassist, Ken Filiano steers the band into a blistering romp via his swiftly executed walking bass lines. However, the quintet moves about in climactic fashion ...

117

Article: Album Review

Mark Kleinhaut Trio with Tiger Okoshi: Chasing Tales

Read "Chasing Tales" reviewed by Glenn Astarita

by Glenn Astarita

The twist to this story is guitarist Mark Kleinhaut's double identity. When he's not performing and teaching music, Kleinhaut is a vice president of a Boston, MA-based banking institution. But as a musician, the artist adheres to the somewhat traditional school of jazz guitar. On this noteworthy 2002 release, he adds the well-traveled trumpeter Tiger Okoshi ...


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