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205

Article: Album Review

Mark Rapp's Melting Pot: Good Eats

Read "Good Eats" reviewed by Glenn Astarita

by Glenn Astarita

Good Eats could reference trumpeter Mark Rapp's New Orleans heritage, where po-boys, seasoned craw fish, and jambalaya reign supreme. Add some Big Easy-style funk and there is a perfect party setting that provides credence to the city that care forgot adage. Rapp pays homage to alto sax titan Lou Donaldson, who incorporated blues, soul, and funk ...

134

Article: Album Review

Kermit Driscoll: Reveille

Read "Reveille" reviewed by Glenn Astarita

by Glenn Astarita

Reveille marks bassist and educator Kermit Driscoll's freshman solo outing, and features his longtime associate, guitarist Bill Frisell. As a member of Frisell's dynamic trio with drummer Joey Baron, the term cutting-edge took on notorious implications. Similar forward-reaching concepts are explored throughout this multidimensional program. Mildly surprising is the inclusion of Vinnie Colaiuta, though the all-universe ...

223

Article: Album Review

Boris Savoldelli: Biocosmopolitan

Read "Biocosmopolitan" reviewed by Glenn Astarita

by Glenn Astarita

The polyphonic vocal expertise of Italian artist Boris Savoldelli alters implications for the proverbial one-man band format. Although he receives assistance from revered session bassist/solo artist Jimmy Haslip, and some additional help from trumpeter Paolo Fresu--both appearing on selected tracks--it is Savoldelli who propagates the mesmeric performances. The vocalist uses electronics and voice overlays, ...

140

Article: Album Review

Djam Karet: The Heavy Soul Sessions

Read "The Heavy Soul Sessions" reviewed by Glenn Astarita

by Glenn Astarita

High expectations are always prevalent for astute followers of the inspiring and prolific Southern California-based progressive rock unit, Djam Karet. Indeed, they are among the elite within the genre. Going strong since 1984, the band surges forward with The Heavy Soul Session, recorded live in the studio sans compression techniques. Hence, the full-bodied sound heightens the ...

155

Article: Album Review

Russ Lossing Trio: Oracle

Read "Oracle" reviewed by Glenn Astarita

by Glenn Astarita

Haunting, meditative, solemn and high-impact are descriptors that bear pianist Russ Lossing's approach and sensibilities. While Oracle denotes his trio's debut effort for hatOLOGY records, it's been a working unit for several years, largely based in New York City. The program is architected via disparate levels of pitch amid a capacious vibe, but the trio often ...

98

Article: Album Review

Joëlle Léandre: Live at the Ulrichsberg Kaleidophon

Read "Live at the Ulrichsberg Kaleidophon" reviewed by Glenn Astarita

by Glenn Astarita

Few modern era instrumentalists sojourn into uncharted regions of the musical cosmos with the ingenuity of bassist extraordinaire Joëlle Léandre. Supported by her vast discography as a leader and co-conspirator, Léandre's serious intentions are differentiated by a sincere vision and jubilant demeanor. These attributes repeatedly surface on her recordings. This release is a two-CD gala that ...

233

Article: Album Review

Nate Wooley Quintet: (Put Your) Hands Together

Read "(Put Your) Hands Together" reviewed by Glenn Astarita

by Glenn Astarita

(Put Your) Hands Together's cover art features a photo of trumpeter Nate Wooley putting his hands together, perhaps as a token of appreciation for his quintet's exemplary performance. Praise is in order because of the program's captivating synchronicity, artfully scaling between structure and improvisation to complement an abundance of polytonal facets. With penetrating compositions and thoughtful ...

169

Article: Album Review

Alon Nechushtan: Words Beyond

Read "Words Beyond" reviewed by Glenn Astarita

by Glenn Astarita

Pianist Alon Nechushtan is in the thick of things, amid a vibrant New York City jazz culture that often spawns deviating tangents and inventive ideologies. Indeed, the pianist reveals astounding technical faculties and a far-reaching approach to composition. Nechushtan's jazz-klezmer band TALAT, amid numerous forays into modern jazz and unconventional settings, intermittently gels to the beat ...

140

Article: Album Review

The Brian Landrus Quartet: Traverse

Read "Traverse" reviewed by Glenn Astarita

by Glenn Astarita

Boasting an extensive résumé as a sideman in addition to his 2010 debut Forward (Cadence Jazz), baritone saxophonist/bass clarinetist Brian Landrus focuses on the mainstream jazz strata on Traverse. Landrus is equally adept as an outside player but delves, on this album, into more conventional persuasions, garnering sympathetic support from his venerable band mates.

161

Article: Album Review

Nektar: Remember The Future - Deluxe Edition

Read "Remember The Future - Deluxe Edition" reviewed by Glenn Astarita

by Glenn Astarita

This deluxe/digitally remastered version of British progressive-rock band Nektar's iconic Remember the Future (1973) features a full second disc with a live performance of other works, culled from a 2007 concert in Brazil. The original two-part recording of “Remember the Future," is followed by a live rendition, although no information is provided in the ...


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