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284

Article: Album Review

Pitom: Blasphemy and Other Serious Crimes

Read "Blasphemy and Other Serious Crimes" reviewed by Glenn Astarita

by Glenn Astarita

Recorded for John Zorn's Tzadik Records, and sustaining the spirit of radical Jewish music, Pitom's second album is a psychodramatic crash-and-burn event. Spanning Sonic Youth-like reckless abandon, hardcore grunge, jazz improvisation and the blasphemous morphing of traditional Jewish music stylizations with jazz-rock, the unit abides by a take-no-prisoners approach. Offering an antithesis to the norm, with ...

262

Article: Album Review

Trio 3 + Geri Allen: Celebrating Mary Lou Williams (Live at Birdland New York)

Read "Celebrating Mary Lou Williams (Live at Birdland New York)" reviewed by Glenn Astarita

by Glenn Astarita

These modern jazz VIPs render a synchronized attack that incites a harmonious mélange of mainstream, progressive, and free-jazz during this homage to legendary pianist, composer and arranger Mary Lou Williams. One of the mainstays and redeeming traits of this live program relates to the musicians' inimitable styles amid their technical faculties and keen interpretative powers. With ...

256

Article: Album Review

Nobuki Takamen: Live at the Iridium

Read "Live at the Iridium" reviewed by Glenn Astarita

by Glenn Astarita

Born in Hiroshima, Japan, guitarist Nobuki Takamen resides in New York City where he remains active in the local jazz scene amid gigs at major out-of-state festivals. Recorded at New York City's Iridium jazz venue, the guitarist steers his quartet through a progression of lyrically resplendent bop and swing works, complemented by interweaving plots and brief ...

377

Article: Album Review

Chris Taylor: Nocturnal

Read "Nocturnal" reviewed by Glenn Astarita

by Glenn Astarita

New York-based virtuoso Chris Taylor spent 30 years behind the scenes as a session guitarist amid works for TV and various electronics-centered persuasions. Here, the artist steps out of the pocket for his freshman solo stint, supported by a distinguished roster of jazz-fusion artists performing on select tracks. Taylor's influences seem varied, and his ...

237

Article: Album Review

Ray Anderson / Han Bennink / Christy Doran: A B D

Read "A B D" reviewed by Glenn Astarita

by Glenn Astarita

In the '90s, this trio ascended to the upper echelon of all things considered cutting-edge in the wide open world of jazz and improvisation. This reissue is a compilation featuring all of Azurety (hatART, 1994) and three tracks culled from Cheer Up (hatART, 1995). Other than his superior improvisational faculties, Irish guitarist Christy Doran ...

191

Article: Album Review

Ivo Perelman Quartet: The Hour of the Star

Read "The Hour of the Star" reviewed by Glenn Astarita

by Glenn Astarita

With his newly formed quartet, Brazilian tenor sax titan and visual artist Ivo Perelman effectively synchronizes the freer aspects of improvisation with bop, and harmonious patterns. And the musicians' synergy offers an underlying constant within the copious slants and contrasts presented throughout. The musicians kick off the festivities with “A Tearful Tale, where pianist ...

235

Article: Album Review

Chris West: The Surprise Trilogy: Disc 1

Read "The Surprise Trilogy: Disc 1" reviewed by Glenn Astarita

by Glenn Astarita

The first of the 3-CD Surprise Trilogy, by saxophonist Chris West, reasserts that Nashville is not all about country and roots music. Indeed, Nashville plays host to an aggregation of top-flight session artists who need to be adept, multifunctional, and armed with a broad range of musicality. Consequently, West has cut his teeth with eminent artists ...

267

Article: Album Review

Dave Valentin: Pure Imagination

Read "Pure Imagination" reviewed by Glenn Astarita

by Glenn Astarita

Grammy Award-winning Latin-jazz flutist Dave Valentin was the first artist signed to the now defunct GRP record label, founded by keyboardist Dave Grusin and Larry Rosen in 1978. GRP's hefty roster of jazz artists became a popular commodity, and the label was also commended for its cutting-edge analog and digital audio engineering. Thus, Valentin's flight to ...

405

Article: Album Review

Iron City: The Business

Read "The Business" reviewed by Glenn Astarita

by Glenn Astarita

Guitarist Charlie Apicella and his band mates mix it up nicely with these originals and jazz standards, disavowing a rough-hewn presence and sporting a piquant mode of execution. The artists morph a somewhat traditional blue collar approach to the classic organ-combo into a contemporized product. The band may not 't reinvent the genre, but the diverse ...

232

Article: Album Review

Richard Pinhas: Metal/Crystal

Read "Metal/Crystal" reviewed by Glenn Astarita

by Glenn Astarita

Think of sheaths of titanium splintering across a room at the speed of light, and a moveable wall of sound that poses a daunting proposition. These are components that signal the vivid imagery, supplied by pioneering French progressive space-rock guitarist and synthesist Richard Pinhas on a set that is based on mental disorder symptoms. Along with ...


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