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Offshore: Cote De Cologne
by Glenn Astarita
The respective artists formed this quintet during their studies at Cologne Music College and snagged some awards, performing at European festivals and band contests. And it's easy to discern why. Indeed, the quintet's impassioned collectivism shines throughout the program, amplified by thought-provoking compositions and the underlying motif, noted by the band moniker, referencing the mighty seas. ...
Nektar: Journey To The Centre Of The Eye
by Glenn Astarita
British progressive-rock band Nektar's epic 1971 Sci-Fi, spacey, psychedelic debut Journey To The Centre Of The Eye, benefits from a finely engineered re-mastering job, along with a vintage bonus disc featuring a live performance of the album. During its day, the band achieved great success outside its native UK and settled in Germany, where this production ...
Ensemble 5: Solstice
by Glenn Astarita
Drummer Heinz Geisser's robust discography for Leo Records implies an active mind on the loose via his firm footing in the avant spectrum. He now expands his Collective 4tet to Ensemble 5, offering a combination of youth and experience coalescing into an idea factory of sorts. No two pieces sound distinctly alike, which is not always ...
Evgeny Masloboev & Anastasia Masloboeva: Russian Folk Songs in the Key of New Jazz
by Glenn Astarita
The latest entry of the Russian Folk Songs series for UK-based Leo Records find the father and daughter team, Evgeny Masloboeva and Anastasia performing with Moscow's prominent new jazz artists, resulting in this fascinating gem. It's an unclassifiable brew in the literal sense. Russian folk is predominately evident throughout many of the abstractions and jazz-tinged momentums. ...
Rent Romus' Lords of Outland: Thee Unhip
by Glenn Astarita
Thee Unhip is a poem by band member, trumpeter/electronics artist C.J. Borosque. The seasoned and thoroughly hip band that was founded by woodwind ace Rent Romus in 1984 is a collaboration between West Coast experimental jazz record labels, Nine Winds and Edgetone. Exciting, raucous, slightly spaced-out and wily, the band has quite a bit of fun ...
Hiromi: Move
by Glenn Astarita
Keyboardist Hiromi once again reaps the benefits of her superstar rhythmic section, drummer Simon Phillips (The Who, Toto, David Gilmour) and contrabassist Anthony Jackson (Paul Simon, Chick Corea, Steely Dan). A largely acoustic set, she yields an action-packed schema, teeming with intricately designed arrangements while zooming in for the kill on many occasions. However, Hiromi's breadth ...
Sudo Quartet: Live at Banlieue Bleue
by Glenn Astarita
The master improvisers on this live set convey a relaxed, yet thoroughly experimental dynamic amid dips, spikes, intricate sub-group dialogues and some mimicking along a course that may suggest an oscillating loop, countered by splintering soundscapes. Hence, the organic nature of the all-acoustic format offers additional insights and subtleties as the musicians scurry across non-linear frameworks, ...
Under The Psycamore: I
by Glenn Astarita
One of the more satisfying and alluring progressive rock releases of 2012 is presented by the Swedish duo of Jonathan Greiff and Carl Blomqvist with cellist Tora Greiff Bergstrom. They must have been doing something right to garner the attention of album producer; revered Warr guitarist, composer and stylist Trey Gunn (King Crimson, Invisible Rays).
Curtis Hasselbring: Number Stations
by Glenn Astarita
Many avant-garde composers, leaders or conductors employ various mechanisms to instruct the band for a specific composition. Here, longtime New York City alternative composer, trombonist Curtis Hasselbring integrates an all-star lineup for pieces inspired by a random series of numbers, based on shortwave radio stations. Hasslebring iterates that these pieces are hypothetically decoded and provide cryptic ...
Kris Davis: Capricorn Climber
by Glenn Astarita
Relocating from her native Canada to New York City, pianist Kris Davis has infused her imposing talents into New York City's unconventional, downtown-like scene. She once again aligns her compositional and improvisation expertise with like-minded artists, who frequently transition the jazz idiom into a boundless vista. Hence, the album projects a topsy-turvy and rather oscillating aura, ...
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