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Barry Guy: Back to the Drawing-Board (Part 3)

Read "Barry Guy: Back to the Drawing-Board (Part 3)" reviewed by Duncan Heining

Part 1 | Part 2 | Part 3 One of the things which may strike the listener on hearing the London Jazz Composers' Orchestra for the first time is just how much volume Guy is able to draw from just seventeen to twenty players. Some other big bands sound almost insipid in comparison. There ...

ARTICLE: PROFILE

Barry Guy: A Prophet is Not without Honour (Part 2)

Read "Barry Guy: A Prophet is Not without Honour (Part 2)" reviewed by Duncan Heining

Part 1 | Part 2 | Part 3 Barry Guy has been the artistic director and main composer of the London Jazz Composers' Orchestra throughout its now forty-five year history. Recordings and performances since Ode in 1972 have been sporadic but those forty-five years have resulted in eleven albums (including one with Anthony Braxton) ...

ARTICLE: PROFILE

Raymond MacDonald: Man with Two Brains

Read "Raymond MacDonald: Man with Two Brains" reviewed by Duncan Heining

By way of introduction... Saxophonist Raymond MacDonald is a busy man. He balances the life of a gigging, recording musician with a high-flying academic career and, in both respects, his reputation has grown far beyond his Glasgow home. As a musician, he is perhaps best known for his work with the George Burt/Raymond MacDonald ...

ARTICLE: PROFILE

A Madman’s Approach To Music And Why Can't Music Be Like A Tree?

Read "A Madman’s Approach To Music And Why Can't Music Be Like A Tree?" reviewed by Duncan Heining

"Art alone makes life possible." --Joseph Beuys. The Glasgow Improvisers' Orchestra is unique. It's an over-used word, I know, but in this case fully justified. GIO are unique in so many ways--in the way they formed, the way they make decisions, in their make-up, how they work and most importantly how they sound. They ...


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