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Sean Noonan: Not Simply Beating a Dead Horse Drum
by Phillip Woolever
Composer and drummer Sean Noonan is an explorer, charting many edges of the compositional frontier. The term unique does not quite cover the range of his thoughtful, abstract approach to musical narrative.Edgy is often the operative theme in Noonan's repertoire, gleamed from studious sojourns to distant cultures and locales. Noonan's results take form in ...
Colosseum: Colosseum Live
by Maurizio Comandini
I Colosseum guidati dal batterista Jon Hiseman furono una delle più belle sorprese spuntate dal blues e dal jazz inglese nella magica stagione di fine anni sessanta. Hiseman era stato protagonista alla corte di John Mayall, in particolare per l'ottimo album Blues Wires del 1968 e aveva poi deciso di mettersi in proprio portandosi dietro due ...
Steve Winwood: Greatest Hits Live
by Doug Collette
Greatest Hits Live is something of a misnomer as applied to Steve Winwood's expansive in- concert collection. Not that the title doesn't contain his most well-known numbers, because it does, ranging all the way from his days as a teenage wunderkind ("Gimme Some Lovin'") to his most mainstream commercial success ("Roll With It"). But over the ...
Roberto Gatto: vivere sbagliando è una gran perdita di tempo
by Daniele Vogrig
Tra una lezione e l'altra, abbiamo incontrato Roberto Gatto nel suo studio presso il Conservatorio di Latina, dove è titolare della cattedra di batteria e percussioni jazz. Ripercorrendo la carriera di uno tra i più illustri batteristi del panorama jazz italiano e internazionale, ne è scaturita una lunga e piacevole chiacchierata fra aneddoti, ricordi e progetti ...
Steve Winwood at the Space at Westbury
by Mike Perciaccante
Steve Winwood The Space at Westbury Westbury, NY April 20, 2017 Fifty-one years after a teenaged Steve Winwood sang “Gimme Some Lovin'" with the Spencer Davis Group, the rock, pop and rhythm and blues legend can still nail the vocal and hit all the notes on the '60s anthem. On ...
The Politics of Dancing: Jazz and Protest, Part 2
by Karl Ackermann
Part 1 of Jazz and Protest took an in-depth look at two landmark artists and the songs that laid the groundwork for protest within the jazz community. Billie Holiday's “Strange Fruit" took a circuitous route from its origins as a poem to its successful recording on a small label that was not afraid to lend a ...
Sean Noonan e il Questionario di Proust
by Paolo Peviani
All About Jazz: Il tratto principale della mia musica. Sean Noonan: “Questo, questo." “Sì?" “Questo è il CONTRARIO di noioso" (come ha detto qualcuno su http://louderthanwar.com/sean-noonan-cantus-domus-stargaze-haldern-pop-2016). AAJ: La qualità che desidero nei musicisti che suonano con me. SN: Che abbiano sempre voglia di rischiare e che non abbiano ...
Billy Jenkins Turns Sixty
by Roger Farbey
On 5 July 2016 guitarist, composer, vocalist and philosopher Billy Jenkins hits the Big Six-O. It only seems five minutes ago that Jenkins played at the Purcell Room during 2010's London Jazz Festival, accompanied by the BBC Big Band to a suitably enraptured audience. He's been gigging and recording less in the past five years. His ...
Ginger Baker's Jazz Confusion in Bergheim
by Phillip Woolever
Ginger Baker's Jazz Confusion Medio.Rhein.Erft Bergheim, Germany November 27, 2015 Ginger Baker looked a bit stiff in his casual shades, but he sure as hell got the job done with unique style. He had people clapping and yelling their approval by around the two-minute mark and from then onward. ...
34 ° Tampere Jazz Happening
by Luca Vitali
Tampere Jazz Happening 2015 Tampere (Finlandia) 29.10- 01.11.2015 Il Tampere Jazz Happening si conferma come un festival di grande vitalità, tra i migliori in Europa. Un'edizione, questa 34^, ancora una volta senza confini geografici né musicali, all'insegna della combinazione tra musica jazz e parola parlata. I cinquemila spettatori paganti ...
