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257

Article: Extended Analysis

Konitz/Mehldau/Haden/Motian: Live at Birdland

Read "Konitz/Mehldau/Haden/Motian: Live at Birdland" reviewed by Dan McClenaghan

by Dan McClenaghan

Konitz/Mehldau/Haden/MotianLive at BirdlandECM Records2011 The tunes are familiar, Great American Songbook and jazz standards all. So for those unfamiliar with the names involved in this quartet outing, the old complaint of “same old same old" could surface. But with alto saxophonist Lee Konitz at the top of ...

187

Article: Mix Tape

Now's the Time: Miles Davis 1945-1989

Read "Now's the Time: Miles Davis 1945-1989" reviewed by Jeff Dayton-Johnson

by Jeff Dayton-Johnson

Franck Bergerot's Miles Davis: Introduction à l'écoute du jazz moderne (Seuil, 1996) suggests that you can hear a lot of Davis' musical world in his 45-second solo on Charlie Parker's “Now's the Time," beginning at 1:45. This is one among many dimensions of Davis' musicianship—nocturnal, blues-tinged, largely without the mute, alternating between a tenderness and a ...

145

News: Festival

Ojai Music Festival Features Maria Schneider Orchestra

Ojai Music Festival Features Maria Schneider Orchestra

Jazz star Maria Schneider, Grammy-winning composer and big band leader, makes her Ojai Music Festival debut at the 65th annual event with two concerts in Libbey Bowl, Sunday, June 12 at 11a.m and 5:30p.m. The annual Southern California festival, June 9 though 12, usually features classical composers and performers. This year, however, music director, Dawn Upshaw ...

400

Article: Interview

Chick Corea: Creative Giant

Read "Chick Corea: Creative Giant" reviewed by Esther Berlanga-Ryan

by Esther Berlanga-Ryan

Virtuosity is a beautiful thing. One would somehow like to believe that anybody can learn how to play any given instrument with delicate, enchanting energy; but truth be told, some are simply born with a gift that most can only dream of. The ability to amaze others through music, enriching the hearts and widening the creative ...

184

News: Recording

Gil Evans/Laurent Cugny Big Band Lumiere

Gil Evans/Laurent Cugny Big Band Lumiere

Shortly after graduating college in 1987, I ventured to New York City with the naïve hope of finding a job. It was a miserable time and a memorably awful experience. My hope was to land a job in advertising. I ended up with a film pass for a great foreign film from a prestigious film distributor ...

62

News: Festival

54th Annual Monterey Jazz Festival September 16 - 18

The 54th Monterey Jazz Festival, three-time winner of the JazzTimes Readers poll for “World's Best Jazz Festival" takes place September 16 to September 18 at the Monterey Fairgrounds, home to the Festival for 54 consecutive years. Described as “a cultural colossus" by the San Jose Mercury News and “a mecca for true jazz fans" by the ...

178

News: Event

Aardvark Jazz Orchestra Salutes Ellington at Emmanuel Church Boston, A Jazz Boston Kickoff Event

Aardvark Jazz Orchestra Salutes Ellington at Emmanuel Church Boston, A Jazz Boston Kickoff Event

The Aardvark Jazz Orchestra (38th season, Mark Harvey Music Director) celebrates Duke Ellington at Emmanuel Church, 15 Newbury Street, Boston, MA 02116, on Saturday April 30, 2011 at 8:00 pm. Tickets: $15. Call 617 776 8778. The show is a Weekend Kickoff Event in Jazz Boston's Jazz Week. Expect an exhilarating mix of classics and rarities ...

486

Article: Interview

Abdullah Ibrahim: Perpetual Change

Read "Abdullah Ibrahim: Perpetual Change" reviewed by Ian Patterson

by Ian Patterson

For legendary pianist/composer Abdullah Ibrahim, music is always in a state of evolution. This philosophy is common to nearly all great composers, from [pianist] Duke Ellington to [trumpeter] Miles Davis and from [saxophonist] John Coltrane and [pianist] Ahmad Jamal to [guitarist] Bill Frisell. A piece of music is born, it grows and gradually matures but it ...

258

Article: Album Review

Planeta Imaginario: Optical Delusions

Read "Optical Delusions" reviewed by Mark Redlefsen

by Mark Redlefsen

The term “progressive," when used to describe jazz fusion/rock, suggests a constant forward movement in the music. On Optical Delusions, Planeta Imaginario's third release (and the group's second for international distribution outside of their homeland of Spain), there is a shift towards a sort of larger jazz group sound. The Barcelona-based group delivers thirteen intricate compositions ...

490

Article: Interview

Matt Haimovitz: Rare Birds

Read "Matt Haimovitz: Rare Birds" reviewed by Ian Patterson

by Ian Patterson

It's a fairly audacious idea for a cello octet to interpret the music of jazz icons such as bassist Charles Mingus, trumpeter Miles Davis and saxophonist Ornette Coleman, never mind the Mahavishnu Orchestra, but clearly, as seen on the compelling Meeting of the Spirits, cellist Matt Haimovitz loves a challenge. Challenge is something he's used to, ...


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