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Libor Smoldas: Intuition and Dreamtime
by Chris Mosey
Libor Smoldas is one of the best jazz guitarists the Czech Republic has produced in recent years. He plays extremely fluent, straight ahead music in the Jim Hall tradition, with overtones of Kenny Burrell. He is more relaxed, less intense than his contemporary, David Doruzka, best known of the current crop of Czech jazz guitarists. Smoldas ...
The Dude Abides
by Mark Corroto
To paraphrase Jeffrey Lebowski, aka The Dude (or El Dudarino, if you are not into the brevity thing), “I've had a rough night, and I hate the fucking Grateful Dead, man." Actually, The Dude said the “Eagles" (and I guess I'm obliged to agree with him), but for me the Dead seem to always get under ...
Six Stops Around the Whirled
by Chris M. Slawecki
Fort Knox Five 10 Years of The Fort Knox Five Fort Knox Recordings 2013 “All good things come in five, baby...You can't get around no prime number, you dig?" Some music just makes you feel good. You can't explain it but some music makes you feel like life's a ...
Take Five With Brian Prunka
by AAJ Staff
Meet Brian Prunka:Prior to moving to Brooklyn in 2003, Brian was living and performing in New Orleans, where he spent his formative years honing his musical skills while being immersed in the jazz community. Although his background was in jazz, rock and blues, Brian has always found himself drawn to a wide range of ...
Resonance: Introductions
by Edward Blanco
Offering a unique musical experience where the blend of jazz and classical instrumentation comes together quite nicely, Introductions is the sparkling debut of an unusual octet known as Resonance. There are not many groups that mix the standard sounds of the saxophone, drums and bass with string-oriented instruments like cello, viola, violin, and even piccolo. Resonance ...
Ray Russell: Playing with Time
by Ian Patterson
Each time guitarist/composer Ray Russell releases a new album, it feels like a comeback. Now, More than Ever, Russell's debut on the Abstract Logix label, comes seven years after Goodbye Svengali (Cuneiform Records, 2006), his heartfelt tribute to composer Gil Evans. Although Russell may drop off the radar for periods of time, he's never really far ...
Swingin' on a Riff . . . Hangin' by a Thread?
by Jack Bowers
Betty and I returned to Albuquerque on Memorial Day after attending Swingin' on a Riff, the latest in a series of marvelous semi-annual events presented by Ken Poston and the Los Angeles Jazz Institute for more than twenty years at venues in and around L.A. This one was held May 23-26 at the Los Angeles Marriott ...
Wallace Roney: In the Realm of Anti-Gravity
by R.J. DeLuke
Much is made of trumpeter Wallace Roney coming from the Miles Davis school, a mentor-protégé situation that blossomed in the 1980s that Roney is very proud of. But that wouldn't be telling the whole story of the Philadelphia native who, in his prime years, has become one of the world's finest trumpet players, and a musician ...
Ray Russell: Now, More Than Ever
by Ian Patterson
English guitarist/composer Ray Russell has flown under the radar for most of his 45-year career, dividing his energies between his own projects, sessions for some of the biggest names in popular music and composing award-winning music for television and film. Russell's wide-ranging musical interests have meant that his own recordings have sometimes been separated by long ...
Gil Evans: Jamaica Jazz
One of the least-known Gil Evans albums and among his most interesting is Jamaica Jazz. Produced by Creed Taylor when he was at ABC Paramount, Jamaica Jazz was recorded in November and December 1957—between Evans' Gil Evans and Ten (Prestige) and New Bottle, Old Wine (World Pacific). Evans wrote the arrangements for The Don Elliott Octet, ...
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