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13

Article: Big Band Report

Buddy Rich: In a Zone of His Own

Read "Buddy Rich: In a Zone of His Own" reviewed by Jack Bowers


One of the channels that came with my Dish Network package is Classic Arts Showcase, which is a treasure trove of film clips documenting classical, ballet, folk, pop and other forms of music that one is unlikely to see anywhere else (although some footage is presumably available on YouTube, which more and more seems to encompass ...

6

Article: Interview

Bob Belden: Jazz Adventurer

Read "Bob Belden: Jazz Adventurer" reviewed by Jeff Dayton-Johnson


Bob Belden is a jazz renaissance man: a flutist and saxophonist who began his career with Woody Herman's big band. He's also a composer and arranger, who has orchestrated jazz treatments of Puccini's opera Turandot as well as the music of The Beatles, Sting and Prince. His pair of tributes to trumpeter Miles Davis--Miles from India ...

11

Article: Interview

Carles Benavent: Jazz, Flamenco and Blues

Read "Carles Benavent: Jazz, Flamenco and Blues" reviewed by Bruce Lindsay


Of all the instrumentalists in contemporary music, only a handful have become game changers. Jazz trumpet has Louis Armstrong, rock guitar has Jimi Hendrix, jazz saxophone has Charlie Parker. Flamenco bass guitar has Carles Benavent. Benavent's fluid, melodic and emotive style of playing is as beautiful as it is distinctive. Developed initially from a love of ...

4

Article: Take Five With...

Take Five With Scott Healy

Read "Take Five With Scott Healy" reviewed by AAJ Staff


Meet Scott Healy:Scott Healy is a classically-trained pianist and composer who in the past three decades has performed and recorded many jazz, blues and rock artists, from Tony Bennett and B.B. King, to Bruce Springsteen, Levon Helm and Christina Aguilera. In addition, Scott has written concert music for symphony orchestra, chamber groups, film scores, ...

2

Article: Album Review

Coreto: Aljamia

Read "Aljamia" reviewed by Jeff Dayton-Johnson


Coreto is an eleven-piece jazz ensemble from the Portuguese city of Porto. Aljamia, its début release, is also among the first albums to emerge from Porta-Jazz, an association of Porto jazz musicians.Leader and alto saxophonist/flautist João Pedro Brandão is a student of the multilayered musical traditions of the Mediterranean. The region is a remarkably ...

2

Article: Extended Analysis

Asuka Kakitani Jazz Orchestra: Bloom

Read "Asuka Kakitani Jazz Orchestra: Bloom" reviewed by Dan Bilawsky


The difference between a “big band" and an “orchestra" in jazz is usually more than nominal in nature. On the surface, they may seem the same, but their intent, musical scope and arranging/compositional methodology are usually very different. While it can be seen as a bit of a generalization, the “band" tag often refers to groups ...

Album

Out Of The Cool..... Into The Hot

Label:
Released: 2012

10

Article: Interview

Bob Mintzer: Amazing Reach

Read "Bob Mintzer: Amazing Reach" reviewed by Bob Kenselaar


For about half of his four decade-long career in jazz, Bob Mintzer has been a member of the Yellowjackets, one of the most enduring, distinctive and creative bands in contemporary jazz. But, oddly enough, this association is a relatively small slice of Mintzer's remarkably multifaceted life in music as a saxophonist, bass clarinetist, composer, arranger, educator ...

10

Article: Under the Radar

Eddie Durham: Genius in the Shadows

Read "Eddie Durham: Genius in the Shadows" reviewed by Jim Gerard


On December 13, 1932, in the eye of the Great Depression that was devastating the record industry, the Bennie Moten Orchestra shuffled “on their uppers" into a converted church in Camden, N.J., and silently launched the Swing Era, three years before clarinetist Benny Goodman's formal inauguration as the “King of Swing" at the Palomar Ballroom in ...

3

Article: New York Beat

John Coltrane's Music Gets New Life at Lincoln Center

Read "John Coltrane's Music Gets New Life at Lincoln Center" reviewed by Nick Catalano


In jazz history, the often ignored contributions of the great arranger/orchestrators can never be overestimated. It was Jelly Roll Morton's orchestral writing that enabled “Black Bottom Stomp" to soar. In trumpeter Miles Davis' Sketches of Spain (Columbia, 1960), it was Gil Evans' pen that created the magic. At Town Hall, it was Hall Overton's arrangements that ...


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