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ARTICLE: ALBUM REVIEWS

Eric Alexander: Leap of Faith

Read "Leap of Faith" reviewed by Angelo Leonardi

Eric Alexander è uno dei massimi tenoristi della sua generazione. In oltre quaranta dischi da leader e un centinaio di collaborazioni, ha evidenziato piena adesione al modern mainstream, privilegiando l'esibizione in quartetti o quintetti con la tipica sezione ritmica comprendente un pianista (spesso il suo mentore Harold Mabern) o talvolta un chitarrista (Pat Martino o Peter ...

Rhyme And Reason

Label: Giant Step Arts
Released: 2019
Track listing: CD 1: Herbs In A Glass; Rhyme And Reason; Blue Grotto; Sadhana; CD 2: The Hampton Inn (For Alan); Mark’s Place; Waltz For Diana; Kalispel Bay.

Trion

Label: Giant Step Arts
Released: 2019
Track listing:
CD 1:
Calodendrum; Synchronicity 1; Trope (Linda Intro); Trope; One for Honor; High School Daze; No Bebop Daddy.
CD 2:
Bedrum; Good Hope; Eagle; Relaxing at the Camarillo; Blue Heart; West Berkley St.

Leap of Faith

Label: Giant Step Arts
Released: 2019
Track listing: Luquitas; Mars; Corazon Perdido; Hard Blues; Frenzy; Big Richard; Magyar; Second Impression.

ARTICLE: ALBUM REVIEWS

Johnathan Blake: Trion

Read "Trion" reviewed by Angelo Leonardi

L'edizione di questo splendido saxophone trio con Chris Potter, Linda May Han Oh e Johnathan Blake (due ore di musica riprese il 21 e 22 gennaio 2018 alla Jazz Gallery di New York) la dobbiamo al fotografo Jimmy Katz, fondatore con la moglie Dena dell'etichetta discografica no-profit Giant Step Arts. L'organico nasce dall'esperienza ...

ARTICLE: ALBUM REVIEWS

Eric Alexander: Leap of Faith

Read "Leap of Faith" reviewed by Friedrich Kunzmann

Acclaimed saxophonist Eric Alexander needs no special introduction. His pioneering work in the jazz world has been an inspiration to many of his peers since the early 90s. On this special chordless endeavour—featuring the chops of Doug Weiss on bass and drummer Jonathan Blake whose own recording in a very similar chordless constellation was likewise recently ...

ARTICLE: ALBUM REVIEWS

Jason Palmer: Rhyme And Reason

Read "Rhyme And Reason" reviewed by Angelo Leonardi

Trombettista rigoroso e dalla tecnica scintillante, tra i migliori della sua generazione, Jason Palmer non gode della popolarità che merita. Una causa può essere la collocazione appartata di insegnante al Berklee College of Music e al New England Conservatory. Nello stile ricorda Clifford Brown, che ha rappresentato la sua massima influenza formativa, e ...

Two From The Giant Step Arts Label

Read "Two From The Giant Step Arts Label" reviewed by Jerome Wilson

Giant Step Arts is a non-profit organization and label dedicated to helping jazz musicians create the music they want to without worrying about the pressures of the marketplace. On two of their initial releases, that translates into concert recordings done at New York's Jazz Gallery where the bandleaders are free to work out their ideas in ...

ARTICLE: ALBUM REVIEWS

Eric Alexander: Leap of Faith

Read "Leap of Faith" reviewed by Jack Bowers

Renowned tenor saxophonist Eric Alexander's Leap of Faith stems in part from the decision (hesitantly made) to perform in a trio setting without piano—hardly an uncommon arrangement these days but one that Alexander, a shining light on the New York music scene for more than two decades, has rarely explored, either in live gigs or on ...

NEWS: EVENT

Live recording and concert, May 23-24: Jason Palmer Qt. feat. Mark Turner, Joel Ross, Kendrick Scott, Edward Perez at NYC's InterContinental Barclay

Live recording and concert, May 23-24: Jason Palmer Qt. feat. Mark Turner, Joel Ross, Kendrick Scott, Edward Perez at NYC's InterContinental Barclay

A one-of-a-kind musical experience, combining the intimacy of a house concert with the luxurious ambience, comfort and breath-taking views of the Harold S. Vanderbilt Penthouse. Limited space available as this is a recording session that aims at providing the intimacy of a house concert, but with world-class musicians. Contact Astrid ([email protected]) to reserve your spot. Concert ...


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