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60

Article: Extended Analysis

Max Johnson: Big Eyed Rabbit

Read "Max Johnson: Big Eyed Rabbit" reviewed by Karl Ackermann


Bassist Max Johnson is one of the most prolific and versatile musician/composers in music today and likely on the verge of a major breakthrough. Barely past the year's mid-point Johnson has offered three fine releases with different groups and distinctly different styles. Recording with Kirk Knuffke on cornet on Johnson's namesake trio release The Invisible Trio ...

7

Article: Album Review

Ayelet Lerman / Wade Matthews / Carmel Raz: Growing Carrots in a Concrete Floor

Read "Growing Carrots in a Concrete Floor" reviewed by Eyal Hareuveni


Operating for four years, the em>Wire Tapping series of experimental improvised meetings at the Barbur Gallery in Jerusalem has hosted many ad-hoc initial meetings between left-of-center musicians. The Series organized collaborations in the past with American drummer Gerry Hemingway, German double bass player Alexander Frangenheim and New York-based and Israeli ex-pat guitarist Eyal Maoz. ...

6

Article: Multiple Reviews

Rejoice - Three New Ivo Perelman Discs

Read "Rejoice - Three New Ivo Perelman Discs" reviewed by Mark Corroto


Just think what could have been if artists like Jimmy Lyons or Albert Ayler were recording today. We might have had the ability to witness their development and observe how creative music gets nudged in new and different directions. That's exactly the gift we're given with the proliferation of recent Ivo Perelman recordings. The São Paulo-born, ...

5

Article: Album Review

Christine Wodrascka/ Jean Luc Cappozzo/ Gerry Hemingway: Grey Matter

Read "Grey Matter" reviewed by John Sharpe


Impromptu meetings between improvisers hailing from diverse backgrounds are by now a commonplace event. But it's less usual is for the resultant grouping to take on a collective name, the surnames or initials normally sufficing for commoditization. For a group to perform under a moniker implies both a sense of purpose and a strong shared identity, ...

8

Article: Album Review

Diane Moser Quintet: Music For The Last Flower

Read "Music For The Last Flower" reviewed by Robert Bush


New Jersey pianist/composer Diane Moser created the music for Music for the Last Flower in 2003, with support from Chamber Music America, but only recorded it in 2012, in one day, no less, this time aided by a grant from New Music USA. This six-part suite flows effortlessly through a wide arc ...

2

Article: Lyrics

Save the Date - Aprile 2014

Read "Save the Date - Aprile 2014" reviewed by Luca Canini


Come promesso il mese scorso, diventa fisso l'appuntamento con “Save the Date." Riparte il viaggio su e giù per lo Stivale a caccia delle migliori proposte, dei migliori festival, delle iniziative più stuzzicanti. Una guida tascabile compilata seguendo solo e soltanto l'ispirazione e le tracce della musica che piace (a noi). 2 Aprile--Piacenza: ...

6

Article: Album Review

Achim Kaufmann & Michael Moore: Furthermore

Read "Furthermore" reviewed by Glenn Astarita


Award-winning alto saxophonist, clarinetist, Michael Moore has performed on seminal modern and avant-garde jazz albums, spanning several decades via numerous projects and stints that include Clusone, The ICP Orchestra, bands led by drummer Gerry Hemingway and bassist Mark Helias; the list goes on. He's a California native who has resided in Holland since 1982 and is ...

7

Article: Album Review

Gerry Hemingway: Kernelings

Read "Kernelings" reviewed by Glenn Astarita


Drummer Gerry Hemingway penned these solo works from 1995-2012 and recorded the album at various points during this timeframe. Essentially, the CD and companion DVD pinpoint his artistic proclivities partly framed in multimedia. It took 15 years to complete the project. The program is divided into four parts: mist, dust, light, and sex, although the CD ...

3

Article: Album Review

Conference Call: Seven: Live @ Firehouse 12

Read "Seven: Live @ Firehouse 12" reviewed by Mark Corroto


The collective quartet Conference Call performs music within the egalitarian principles of jazz as a democracy, confirming that a band can be both leaderless and led by different players without diminishing the quality and character of its music. A working band since 1998, the lineup of reed player Gebhard Ullmann, pianist Michael Jefry Stevens, ...

6

Article: Album Review

2° ‘etage: Grey Matter

Read "Grey Matter" reviewed by Glenn Astarita


The album liners disclose that 2° 'etage improvises with the panache of storytellers, painters and poets. Starkly expressive, the program is sculpted with a mindset that parlays the old adage, “let the chips fall where they may," largely framed on airy dialogues, minimalism and unorthodox soundscapes. They work from a platform, consisting of fractured passages and ...


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