Home » Search Center » Results: George Russell
Results for "George Russell"
The Creative Musicians Improvisers Forum: New Haven's AACM
by Daniel Barbiero
The late 1960s through the 1970s and '80s were difficult years for jazz and jazz-derived improvised music, but they were also years that saw musicians—by necessity—respond to these difficulties with creative solutions. With first the rise and then the commercial dominance during those years of rock music and the corresponding eclipse of jazz, creative musicians in ...
Rick Lawn: The Evolution of Big Band Sounds in America
by Victor L. Schermer
From the latter part of the Jazz Age through the Swing Era, big bands dominated the jazz scene and a large part of the entertainment industry. After World War II, their fortunes declined, but their music soared to new heights, spurred on by innovative leaders, instrumentalists, and very importantly, the composers/arrangers who worked behind the scenes ...
Take Five With Greg Burk
by AAJ Staff
About Greg Burk Following his acclaimed 2016 release Clean Spring on SteepleChase Records, American pianist and composer Greg Burk returns with solo piano As A River--his 12th and most lyrical album to date. The son of classical musicians, Burk spent his formative years on the Detroit jazz scene, followed by studies in ...
Denny Zeitlin: Balancing Act
by Ken Dryden
Denny Zeitlin is a true Renaissance man with many interests, in addition to balancing his careers in medicine and music. Although his medical practice and teaching have limited his abilities to tour beyond brief trips east or playing near his home in California, he has recorded regularly in recent years, releasing a variety of projects for ...
Miguel Gorodi: Apophenia
by Roger Farbey
As a youngster, Miguel Gorodi led something of a nomadic existence. He was born in Spain in 1990 but was then raised in Saudi Arabia and Thailand before moving to England in 2006. In his mid-teens he won a scholarship to study music at Wells Cathedral School and two years later received a place at London's ...
Weekend Extra: George Russell’s “Honesty”
When the 1960s jazz avant-garde was cranking up, George Russell (1923-2009) set an example, as was his way. It had been more than two decades since the intrepid composer captured the attention of the jazz world with his 1947 “Cubano Be-Cubano Bop” for the Dizzy Gillespie big band. He had gone on to compose and arrange ...
Mike Walker: Ropes
by Duncan Heining
Ropes is Manchester-based guitarist Mike Walker's second album as a leader and it couldn't be much more different from his fusion-oriented debut Madhouse and the Whole Thing There (Hidden Idiom, 2008). This album is a jazz-with-strings affair and a fine one at that. The mood is mostly gentler, more reflective and more pastoral than on his ...
Documenting Jazz 2019
by Ian Patterson
Documenting Jazz Conservatory of Music and Drama TU Dublin Dublin, Ireland January 17-19, 2019 Jazz music, which has pretty much always meant different things to different people, has been comprehensively documented since its arrival in the first decades of the twentieth century. The most obvious form of ...
Sonny Buxton: Strayhorn’s Last Drummer, A Radio Master Class Mid-Day Saturdays
by Arthur R George
Sociologist, anthropologist, historian: storyteller, raconteur, entrepreneur and griot, in the guise of a deejay. Registrar, dean, professor: The jazz class of Sonny Buxton is barely concealed as entertainment within his weekly radio program every Saturday 10 a.m. to 2 p.m. Pacific time on San Francisco Bay Area FM station KCSM 91.1, streaming live on kcsm.org.
Mariel Austin: Runner in the Rain
by Jack Bowers
Young trombonist / vocalist Mariel Austin, who quadruples as composer / arranger on her debut album, Runner in the Rain, writes music that is hard to pigeonhole, at least as it relates to jazz. Some of her compositions are thematic, some experimental, some have classical overtones, some even swing on occasion, and most are technically demanding. ...
