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Formats – Solo Through Nonet
by C. Michael Bailey
One plus Two, equals three, and so on. What arbitrary combo size constitutes a big band? None of these. Solo: Jamie Saft Solo a Genova RareNoise Records 2018 That musical provocateur Jamie Saft, he is a prankster. After making all kinds of noise with the likes of Metallic Taste ...
The Many Faces of Jazz Today: The Big Picture
by Victor L. Schermer
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 [In a series of five interviews entitled “The Many Faces of Jazz: Critical Dialogues," All About Jazz asked three musicians, a public relations manager, and a jazz educator about the state of jazz in the world today. ...
Jim Ridl: Project 142 at the DiMenna Center
by Victor L. Schermer
Jim Ridl Tones and Tomes in Tempo DiMenna Center New York, NY October 19, 2017 Jim Ridl is a brilliant and imaginative pianist whose music is true to his North Dakota origins while firmly rooted in the jazz tradition. Versatile and adaptive to almost any situation, he fronts his own ...
John Pizzarelli Celebrates Sinatra-Jobim
by Nick Catalano
A few readers may recall a triumphant 1967 recording with Frank Sinatra singing and performing alongside legendary composer Antonio Carlos Jobim. The album, with arrangements by master arranger Claus Ogerman globally transported Brazilian music into stratospheric heights where it remains to the present day. To celebrate the album's semicentennial anniversary world-renowned singer/ guitarist John ...
Moers Festival 2017
by Phillip Woolever
Moers Festival Moers, Germany June 5, 2017 Most questions and concerns regarding the present or future state of the Moers Festival could probably be answered just a few steps inside the staging grounds by looking at the smiling swarms. At the same time last year, such a scenario was much ...
The New Vision Sax Ensemble: Musical Journey Through Time
by Roger Farbey
Hailing from South Florida, this enterprising quartet was instigated by baritonist Melton R. Mustafa in 1999. There aren't actually that many saxophone-only quartets around, although 29th Street Saxophone Quartet and World Saxophone Quartet are two that spring to mind, and both had an influence on this quartet. Aside from the lively interpretation of Bobby ...
Fini Bearman: Burn The Boat
by Bruce Lindsay
Vocalist Fini Bearman made an impressive debut as a leader with Step Up (Feenz Beenz Records, 2011), a set of her original songs. In 2014 she effectively re-imagined classics on her second album, Porgy And Bess. Burn The Boat returns to the structure of her debut release, presenting another nine of Bearman's original compositions, with the ...
Lyn Stanley: The Moonlight Sessions, Volume 1
by C. Michael Bailey
With release of her various audiophile editions (LP, CD, reel-to-reel) of The Moonlight Sessions, Volume 1, Lyn Stanley brings into clear focus the driving forces behind her previous three releases: Lost in Romance (A.T. Music, LLC, 2011); Potions: From the '50s (A.T. Music, LLC, 2014); and Interludes (A.T. Music, LLC, 2015). These forces include: one, reestablishing ...
"Nice Work If You Can Get It" by George and Ira Gershwin
by Tish Oney
George Gershwin and Ira Gershwin represent a quintessential songwriting team laying claim to several early masterpieces included in what we now call the Great American Songbook. Representing the epitome of the “Jazz Age," they worked together from 1924-1937, creating no fewer than twenty-five full musical scores for performance in Hollywood and on the Great White Way. ...
Intervista a Enrico Pieranunzi
by Daniele Vogrig
Da Charlie Parker a Bruno Canino, da Chet Baker a Domenico Scarlatti, passando per George Gershwin e la musica folklorica romana. In occasione di un suo recente progetto dedicato alla figura di Gershwin, abbiamo avuto il piacere di incontrare Enrico Pieranunzi per una lunga e stimolante chiacchierata, ripercorrendo insieme la sua carriera ultra- quarantennale.
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