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An Interview With Wren Marie Harrington
Q: What are your goals as an artist? A: My primary goal as a singer is to deepen the level of understanding of the intentions of songs with my particular voice, and a rich variety of languages and musical idioms. I consider the human voice a crucial element in uniting the listener with the spirit of ...
Giovanni Falzone Contemporary Orchestra + ExtraCoro: La Banda Del Teatrino
by Paolo Peviani
Lampi di Musicamorfosi, 11° edizione Monza 29.03.2014 Crisi, mancata meritocrazia, cupole e cupolette varie, onorevoli X che intascano vitalizi, fughe di cervelli ... Parla di noi, il nuovo progetto di Giovanni Falzone “La Banda del Teatrino." Dei nostri problemi e vizi che ogni giorno troviamo (d)enunciati sui quotidiani e nei telegiornali. ...
Meet David Wayne
by AAJ Staff
I currently live in: Santa Fe, NM I joined All About Jazz in: 2004 What made you decide to contribute to All About Jazz? I am a music fanatic. I play the drums. I was involved in college radio for years and I'd love to do a show again. Maybe when I ...
Meet Maxim Micheliov
by AAJ Staff
I currently live in: Vilnius, LithuaniaI joined All About Jazz in: 2010What made you decide to contribute to All About Jazz? My professional background is in web marketing, and I connected with Michael Ricci through Chris Rich, who encouraged me to submit my first article “Howard Riley: Five Decades in Music." High ...
Meet Geoff Anderson
by AAJ Staff
I currently live in: Littleton, CO I joined All About Jazz in: 2007 What made you decide to contribute to All About Jazz? It all started at a concert by George Brooks and his band Summit at the Boulder Theater around 2002. The band featured tabla maestro Zakir Hussain as well as ...
Steven Wilson: Luck's What You Make It
by John Kelman
There was a time when progressive rock really meant what its name suggested: progressive music, music that pushed the boundaries of what rock music was, often by integrating elements of classical music and jazz into the mix. Milestone groups ranging from better-knowns like Yes, Genesis, King Crimson, Jethro Tull, Gentle Giant and Van der Graaf Generator ...
Taylor's Universe: Kind of Red
by Dave Wayne
Danish multi-instrumentalist Robin Taylor is something of a musical polymath who's recorded extensively in a number of disparate musical arenas, including free improvisation (with his group Taylor's Free Universe), hard rock (with Art Cinema), electronic soundscapes, and jazz-rock fusion. With Kind of Red, Taylor's stylistic focus is firmly in the general area of instrumental progressive rock.
Roine Stolt and Neal Morse: Degrees of Separation
by John Kelman
2011 has been a banner year for progressive rock, the genre that emerged in the late 1960s, peaked in the mid 1970s, and was threatened with extinction (certainly from a commercial perspective) with the advent of punk and new wave. Of course, prog never went away, and the music of seminal bands such as King Crimson, ...
MoonJune Records: A Decade of Progressive Rock Documentation
by Mark Redlefsen
On a moon of this past June, appropriately enough, Leonardo Pavkovic, owner of the progressive jazz label MoonJune Records, gave All About Jazz an interview at the label's office in Union Square, New York City. The name MoonJune Records, which Pavkovic started back in 2001, is taken from the title of a song, “Moon In June," ...
Premiata Forneria Marconi (PFM): The Manticore Years
by John Kelman
While other important Italian bands emerged in the heyday of the 1970s, such as Le Orme and Banco, when it comes to progressive rock, none can hold a candle to Premiata Forneri Marconi, commonly known in the English language world as PFM. Whether PFM is better or worse than any of these other groups is fodder ...
