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Chimaira: There Is No Alternative
by Glenn Astarita
Eminent audio engineer Walter Quintus wields his magic on this pristinely recorded effort. The wide dynamic range of this LP offers the listener amazing detail and clarity, where you can feel every pluck of a bass string and gentle cymbal hit. From a musical stance, this superior European quartet covers all the bases within a hybrid, ...
Elina Duni Quartet: Dallëndyshe
by Neri Pollastri
Secondo album ECM per il quartetto della cantante albanese--ma svizzera di adozione -Elina Duni, composto con lei dal rodato trio, anch'esso svizzero, di Colin Vallon. E la Svizzera--da sempre punto d'incontro di culture diverse, ma da qualche anno crogiuolo ove si mescolano in particolare molteplici influenze provenienti dall'immigrazione dell'area balcanica--si dimostra un eccellente brodo di coltura. ...
Schnellertollermeier: X
by Glenn Astarita
This young Swiss trio with the tongue twister moniker, derived by stringing the musicians' surnames together, helps redefine the conventional guitar-led power trio format and succeeds on many fronts. It's an adrenalized outfit that abides by a thunderous posture, amalgamating progressive rock, metal, minimalism and Sci-Fi style free improvisation amid devastating bass and drums interactions. At ...
Blaer: Blaer
by Bruce Lindsay
Led by pianist and composer Maja Nydegger, Blaer is a jazz quintet from Switzerland. This self-titled album is the band's debut release--a collection that establishes the band as an ensemble of real promise, with early signs of a distinctive and individual sound emerging. Blaer operates on the calmer, more languid end of the jazz ...
Marco von Orelli 5: Alluring Prospect
by Glenn Astarita
Swiss trumpeter Marco von Orelli (George Gruntz Workshop Big Band, Tommy Meier Root Down) possesses a manifold musical persona. He's composed for TV, theater and collaborates with many notable European jazz artists and improvisers. But as a leader, Alluring Prospects poses deep insight into his enthralling compositional pen, bridging classical, jazz and the improvisational element into ...
Two INSUB releases
by John Eyles
When Switzerland's INSUB records issued its first two releases in a new format in early 2014, that innovative format got nearly as much attention as the music itself. Solving the download vs. physical object debate, its combination of attractive packaging (including A3 poster-size artwork) with a download code gave customers the best of both worlds. That ...
Afro Garage: Eighteen Ways to Miss Egypt
by Glenn Astarita
This European trio has only released three CDs in 23-years of existence, while framing its inspiration on a love for cinema. Hence, the album is an amalgamation of two spontaneously crafted film scores, recorded in 2005 Thèbes à l'ombre de la tombe" and in 2011 Thousand and One Cairo." It's a program formed on dainty surprises ...
Ensemble 5: The Summary Of 4
by Mark Corroto
It is refreshing to hear a free jazz improvising group that doesn't abandon meter and melody for the goal of spontaneous music making. For percussionist Heinz Geisser, performing improvised music doesn't require he throw the figurative baby out with the bath water. The dude abides.Like the Collective 4tet he established in the 1990s with ...
Christoph Stiefel Inner Language Trio: Big Ship
by Bruce Lindsay
Big Ship is the latest album to grace the extensive discography of Swiss pianist Christoph Stiefel and the fourth release from his Inner Language Trio. Stiefel is an underrated pianist. He lacks, so far, the public profile of other European players such as Joachim Kuhn or Michael Wollny but that's no reflection on his talent--as Big ...
Samuel Blaser Consort in Motion: A Mirror to Machaut
by Glenn Astarita
Swiss trombonist Samuel Blaser's largely mellower and investigative Consort in Motion differs from his acclaimed quartet's often hard- hitting and somewhat deviously entertaining persona for the hatOLOGY record label, partly due to French guitarist Marc Ducret's electrifying assaults. Thus, A Mirror to Machaut sheds additional light on Blaser's approach to composition, that coincides with a band ...

