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Mr. Chair: Better Days
by Geannine Reid
In the perpetually evolving landscape of fusion music, Madison, Wisconsin's own Mr. Chair introduces another compelling chapter with their latest album Better Days. A quintet with a diverse sound palette, Mr. Chair's idiosyncratic mix of jazz, classical and prog-rock opens up endless possibilities for musical genre blending. Before we dive into the heart of ...
Corrie Dick: Sun Swells
by Geannine Reid
Corrie Dick is a multi-instrumentalist who has recorded on drums, piano, vocals, synth, guitar, and trumpet. As a composer, Dick is known for his dynamism, his melodic slant, and his playfully subversive melding of genres. Presenting his sonically inventive drumming, which has a rhythmic epicenter of a new era of innovative British jazz, is Dick's release ...
Eric McGarry: As I Am, As You Were
by Geannine Reid
Eric McGarry's debut album As I Am, As You Were is an exploration of the complexities of change which finds its inspiration in the natural world, personal relationships, and introspective thoughts on authenticity and identity. McGarry, an established guitarist, composer and educator, presents his listeners with an exquisite musical journey marked by his musical storytelling through ...
Michael Costantino: The Song Inside the Tune
by Geannine Reid
Rhythm, the lifeblood of jazz performances, takes center stage in Michael Costantino's album, The Song Inside the Tune. The album explores the vast terrain of rhythmic structures, with the trio's expert navigation of the eighth note serving as the backbone of their groove. The exploration unfolds a multifaceted perspective on Costantino's rhythmic approach, and thus, his ...
Jared Sims: Hellbender: the Resistance
by Geannine Reid
Saxophonist and multi-instrumentalist Jared Sims has taken a bold step with his latest project. Hellbender: The Resistance, released April 7, 2023, captures Sims' desire to blend the improvisational freedom of jazz with the intense rhythms of rock. Inspired by such groundbreaking jazz albums as Steve Grossman's Some Shapes to Come (PM, 1974) and Miles Davis' On ...
Christopher McBride: Ramon
by Geannine Reid
Jazz is a conversation that has been going on for over a century. Each musician adds their own statement to the discourse, and one of the most exciting aspects of engaging with jazz is the opportunity to witness and appreciate the various voices that emerge and contribute to this ongoing dialogue. Here is one such profound ...
Mengamo Trio: Chat Bizarre
by Geannine Reid
With their debut album The One (Floatmusic, 2018), Mengamo Trio firmly established their foothold in the modern jazz landscape. With their offering Chat Bizarre, they are pushing beyond the known frontiers. Chat Bizarre marks a turn into the realm of pure originals--a bold step affirming the trio's maturing artistic identity. Mengamo Trio is guitarist Philipp Brämswig, ...
Joe Locascio: Book of Days
by Geannine Reid
Pianist and composer Joe LoCascio has released his seventh album, titled Book of Days. The album was recorded in Houston's famed Wire Road Studios and featured his long-time collaborator Woody Witt on saxophone, bassist Richard Mikel and drummer Daniel Dufour. The project was initiated by Witt, who asked LoCascio to play a few gigs with these ...
Ian Wardenski: Trust
by Geannine Reid
Ian Wardenski's Quintet returns with a follow-up to Collective Thoughts (IW, 2019). The innovative bandleader and guitarist continues to create a sound that combines the aesthetics of a chamber group with the freedom, spontaneity and improvisation of a small jazz combo. Trust features Mercedes Beckman on alto saxophone, Jerry Ascione, piano, Amy Shook, bass, Frank Russo, ...
Kenny Shanker: Vortex
by Geannine Reid
Saxophonist Kenny Shanker is an award-winning composer hailing originally from California, now residing in New York. His debut album Steppin' Up (Positone, 2011) was followed by Action City (Positone, 2014), which helped garner him the ASCAP award for composition. In 2017, Shanker released his third recording, The Witching Hour (Wise Cat, 2017), on his own imprint. ...
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