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Tessa Souter: Beyond The Blue
by Victor L. Schermer
Vocalist Tessa Souter is deservedly becoming treasured among jazz fans and musicians alike. She combines the sonority, vocal range and discipline of a classical lieder soprano with subtle and sultry jazz inflections. Everything she sings is meaningful, well thought out and in good taste. She works with the best instrumentalists and has a consummate grasp of ...
Joel Harrison 7: Search
by Troy Collins
For over a decade, Joel Harrison has been steadily expanding his palette as a composer, although his penchant for unorthodox instrumental combinations and multicultural folk forms encompass only one facet of his inclusive aesthetic. Harrison's most recent efforts have borrowed heavily from Western neo-classical tenets; The Wheel (Innova, 2008) included an expansive five movement suite for ...
John Pizzarelli and Tessa Souter: Classical Mashups
by C. Michael Bailey
The improvisatory nature of jazz provides a myriad of ways to enhance and tweak both the arrangement and performance of the music's canon. One approach being tried is the interpolation of one harmonically or rhythmically related song into another. Guitarist/vocalist John Pizzarelli and vocalist Tessa Souter have produced just such projects in their recordingsDouble Exposure and ...
Human Spirit: Dialogue
by Dan McClenaghan
The three players who now call themselves Human Spirit--drummer Matt Jorgensen, trumpeter Thomas Marriott and alto saxophonist Mark Taylor--have a very successful track record of recording together. They teamed up on Jorgensen's magnificent Tattooed by Passion (2010) and Another Morning (2008), and on Marriott's strange and splendid Crazy: The Music of Willie Nelson (2008) and Flexicon ...
Tessa Souter: Beyond The Blue
by Dan Bilawsky
The mere mention of jazz-classical hybridization may draw scowls from jazz fans who've encountered more than their fare share of ill-conceived projects that trade in on this idea, but vocalist Tessa Souter avoids all the usual pitfalls. Beyond The Blue isn't about joining these worlds at the hip; it's about using the frameworks and melodies of ...
Tri-C JazzFest Cleveland 2012: Days 6-12
by Matt Marshall
Days 1-5 | Days 6-12 33rd Annual Tri-C JazzFest ClevelandCleveland, OhioApril 16-29, 2012 Chapter Index April 24: Ernie Krivda's Thunder From the Heartland April 25: Matt Wilson's Arts & Crafts April 26: The Jack DeJohnette Group April 27: David Sanborn Trio / Trombone Shorty April 28: Diana Krall April ...
Kate McGarry: Girl Talk
by Jeff Dayton-Johnson
There are many reasons to like vocalist Kate McGarry's Girl Talk.There's the lively set list, first of all--a mix of all-too-well-known and too-little-known standards, with a fine Brazilian number thrown in. There's the uniform excellence of the band: witness Gary Versace's idiomatic organ accompaniment on “Girl Talk"; guitarist Keith Ganz--sensitive throughout, but especially on ...
Kate McGarry: Beauty and the Bus
by Dr. Judith Schlesinger
The BusI recently drove into the Big Apple to see singer Kate McGarry's band celebrate the release of their Girl Talk CD (Palmetto, 2012) at the Jazz Standard. It was a stressful drive, given the rush-hour timing and need to watch for idiots steering two tons of metal with their knees as they text ...
Kate McGarry: Girl Talk
by Dan Bilawsky
While the world has no shortage of fine female singers, few have the musical depth, sense of passion and artistic ambitions of the divine Kate McGarry. It's doubtful that any other jazz singer could convincingly cover The Cars, weave their way through pianist Fred Hersch's take on Walt Whitman's Leaves of Grass, and triumphantly match wits, ...
Kate McGarry: Girl Talk
by C. Michael Bailey
At a time when it seems that everyone is a jazz singer releasing new music in a male-female distribution of 1 to 10, what is it exactly that separates the merely good singers from the truly great ones. Because of the sheer number of singers and relative high quality of jazz singing today, it is brutally ...
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