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Resonance Records: Non-Profit Jazz Label with a Mission
by Samuel Chell
It's a story often heard before: musically, these are the best and worst of times. Only this time, in 2010, it seems different. Even as the pool of fresh talent expands, jazz continues to witness a dearth of venues along with the slump in CD sales. Uncounted numbers of talented musicians, young and otherwise, are reduced ...
Michael Janisch: Purpose Built
by Woodrow Wilkins
The first notes of Purpose Built's opening track draw attention, setting up a pleasurable jaunt into the world of Michael Janisch on this 30 year-old bassist's debut as a bandleader. Born in the United States and now residing in London, England, Janisch is skilled at both the acoustic and the electric bass. He has ...
Ralph Towner / Paolo Fresu: Chiaroscuro
by John Kelman
Since moving to Italy over a decade ago, guitarist/pianist Ralph Towner's output as a leader has been woefully infrequent, with only two discs released this decade--2001's Anthem and 2006's Time Line, both on the label that's been his home for over 35 years, ECM. It's not that he hasn't been busy; he continues to work and ...
Joe Locke: Versatile Vibes Master
by R.J. DeLuke
Jazz has a history of inclusiveness, accepting the influences of music from around the globe. It also knows no boundaries when it comes to instrumentation, accommodating all kinds of axes if they are played in the spirit of jazz. Rufus Harley even brought the unlikely bagpipes into the lexicon, playing the sound of surprise on the ...
The Albuquerque Jazz Orchestra Meets Fred Sturm
by Jack Bowers
The Albuquerque Jazz Orchestra was onstage January 23, 2010 at the University of New Mexico's Woodward Hall for a concert featuring the compositions and arrangements of Fred Sturm, director of Jazz Studies at Lawrence University in Appleton, Wisconsin. The concert was a part of the New Mexico All-State Band Competition, which was being held at the ...
John Geggie: Unexpected Conversations
by John Kelman
Most cities have them: musicians who act like a lightning rod, focusing and driving their jazz scenes. In Ottawa, Canada, bassist John Geggie has been one of those significant focal points for two decades, but in particular over the past ten years. He's one of the founding organizers and faculty members of Jazzworks which, amongst other ...
Bill Royston: The History of a Festival
by Lloyd N. Peterson Jr.
It is a passion and responsibility that no one takes as serious as they do; and they do it knowing that little, if any acknowledgment will come their way. They are the festival promoters and artistic directors of this music we call Jazz.And though it's a music that has always had its up and ...
Eberhard Weber: Colours
by John Kelman
As the jazz-rock fusion movement gained ground from its early years in the late 1960s through its glory days in the early-to-mid-1970s—blending the more sophisticated harmonies of jazz with rock music's rhythmic power and high volume—all too often it was about muscular chops and complex writing for the sake of it. Little attention was paid to ...
Vibraphonist Mike Mainieri Interviewed at AAJ...And More!
It's hard to imagine vibraphonist Mike Mainieri in his seventies. Not only does he look and sound like a man 10 years (or more) his junior, but a quick look at the projects he's been involved in over the past few years sound like anything but a septuagenarian resting on his not inconsiderable laurels. Mainieri may ...
Mike Mainieri: Man Behind Bars
by John Kelman
It's hard to imagine vibraphonist Mike Mainieri in his seventies. Not only does he look and sound like a man 10 years (or more) his junior, but a quick look at the projects he's been involved in over the past few years sound like anything but a septuagenarian resting on his not inconsiderable laurels.
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