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Results for "Gary Burton"
Joe La Barbera: Experiencing Bill Evans
by Victor L. Schermer
In his own unassuming way, Bill Evans changed the face of jazz piano trio forever. He made the piano a lyrical, expressive voice for the most subtle and deep emotions, and he transformed the rhythm section from a time-beating, swing-maintaining outfit into an intimate, conversational musical unit. He loved tradition. It was just his grasp of ...
Adam Berenson, Scott Barnum & Bob Moses: Assemblages
by Karl Ackermann
Keyboardist and composer Adam Berenson has at his disposal an arsenal of instruments, electronics, synthesizers, etc. But to hear him in the traditional acoustic piano trio setting is immensely enjoyable, while hardly “traditional." On the double-disc Assemblages, Berenson puts aside his Korg Triton Extreme, Yamaha Symphonic Ensemble and other impressively named and plugged-in instruments in favour ...
Sergio Armaroli, l'improvvisazione oltre la musica
by Neri Pollastri
Sergio Armaroli è un artista singolare, assai difficile non solo da etichettare, ma anche da definire: compositore e percussionista che ha come strumenti principali vibrafono e marimba, attivo tanto nella contemporanea, quanto nel jazz, sempre comunque in situazioni in cui l'improvvisazione la fa da padrona, è però anche pittore, poeta, saggista. Un artista plurale, molto prolifico, ...
Meet Mulgrew Miller
by AAJ Staff
From the 1995-2003 archive: This article first appeared at All About Jazz in June 2002. All About Jazz: You were born in Greenwood, Mississippi, and grew up listening to blues, gospel and R&B music. What attracted you to jazz? Mulgrew Miller: The thing that pulled me toward jazz was jazz itself. By ...
Lyle Mays: Eberhard
by John Kelman
When pianist, keyboardist, synthesist and composer Lyle Mays passed away at the far too young age of 66 following a long battle with a recurring (but, to this day, undisclosed) illness in February 2020, it was a major loss for his fans. It was an especially deep body blow to those who'd followed his decades-long work ...
Vince Mendoza - Czech National Symphony Orchestra: Freedom Over Everything
by Angelo Leonardi
L'integrazione tra scrittura per orchestra sinfonica e jazz si arricchisce di un originale contributo di Vince Mendoza, che dirige la Czech National Symphony Orchestra in nuove partiture. Il fulcro dell'album è la suite in sei movimenti “Concerto For Orchestra," in cui si integra il tema “Freedom For Everything." Seguono due lunghe composizioni: “To The Edge Of ...
Roy Hargrove / Mulgrew Miller: In Harmony
by Pierre Giroux
In ballet, a “pas de deux" is a dance or figure for two performers. In jazz, the concept of two musicians playing together called a duo, has been a fairly familiar concept and undertake by the likes of Stan Getz and Kenny Barron, Chick Corea and Gary Burton as well as pianist Bill Evans and Tony ...
Julian Lage: Notes With The Weight Of Words
by Leo Sidran
When Julian Lage plays guitar, it's hard not to get swept up in it. His relationship with the instrument is natural and contagious. Maybe that's because it's been with him for most of his life. When he was just 8 years old, Julian was the subject of an Academy Award nominated documentary film called Jules at ...
His Songs - The Keith Jarrett Songbook - Companion Mixtape
by Ludovico Granvassu
Two hours are so quick to fill and one has to often exclude tracks that deserve attention but for one reason or another (length, similarities to other selections, need for variety and flow etc.) don't find the right spot in the playlist... To remedy the situation we have a “companion mixtape" series when it's necessary to ...
Bassrageous!
by Patrick Burnette
Mike thinks “basserageous" is the stupidest title for the podcast yet, but is it, really? There's a lot of competition. Anyway, this fortnight's gem looks at ECM albums where the bass is large and in charge, which provides opportunities to talk about ECM's aesthetics, how technological changes in the seventies allowed bass players new prominence, and ...
