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14

Article: Profile

Tula's Jazz Club: Soliloquy to a Seattle Jazz Institution

Read "Tula's Jazz Club: Soliloquy to a Seattle Jazz Institution" reviewed by Paul Rauch


It was the tail end of a long weekend. Temperatures had risen to 80 degrees under a sunny only-in-Seattle blue sky, the waterways and markets humming with a sea of humanity. It was not a night one would expect many to venture into the quiet, dark solitude of Tula's Jazz Club, where for nearly 26 years ...

6

Article: Live Review

2019 Pittsburgh International Jazz Festival

Read "2019 Pittsburgh International Jazz Festival" reviewed by Mackenzie Horne


Gary Bartz Liberty Avenue Stage Pittsburgh International Jazz Festival Pittsburgh, PA June 23, 2010 The 2019 Pittsburgh International Jazz Festival featured a heavyweight lineup of world-renowned saxophone players, including Charles Lloyd, Nubya Garcia, and Gary Bartz. Bartz was scheduled to perform selections from Bitches Brew and In a Silent Way ...

16

Article: Live Review

2019 Pittsburgh International Jazz Festival

Read "2019 Pittsburgh International Jazz Festival" reviewed by C. Andrew Hovan


2019 Pittsburgh International Jazz Festival Pittsburgh, PA June 20-23, 2019 Now in its ninth year, the Pittsburgh International Jazz Festival continues to grow and prosper as one of the country's best jazz festivals. Tied to the efforts of the city's August Wilson African American Cultural Center, the festival continues to prosper under ...

2

Article: Hi-Res Jazz

New Music in an Anxious Time: Teis Semey, Peggy Lee and Philipp Gropper

Read "New Music in an Anxious Time: Teis Semey, Peggy Lee and Philipp Gropper" reviewed by Mark Werlin


Historians of jazz identify the African-American civil rights struggle circa 1945-1965 as the locus for the most active involvement of jazz music in expressions of social and political protest. One of the earliest recorded instances of explicit political protest in jazz, “Strange Fruit," was refused by Decca, singer Billie Holiday's record label, for fear of reprisals ...

7

Article: Take Five With...

Take Five with Andrea Domenici

Read "Take Five with Andrea Domenici" reviewed by AAJ Staff


About Andrea Domenici Born and raised in Lecco , Italy, Andrea Domenici is a jazz pianist and composer who has been living in New York since 2012. A 2016 graduate from The New School for Jazz and Contemporary Music, Domenici has studied with great piano players such as Benny Green, Barry Harris, Kenny Barron, ...

9

Article: Interview

Denny Zeitlin: Balancing Act

Read "Denny Zeitlin:  Balancing Act" reviewed by Ken Dryden


Denny Zeitlin is a true Renaissance man with many interests, in addition to balancing his careers in medicine and music. Although his medical practice and teaching have limited his abilities to tour beyond brief trips east or playing near his home in California, he has recorded regularly in recent years, releasing a variety of projects for ...

3

Article: Album Review

Andrea Domenici Trio: Playing Who I Am

Read "Playing Who I Am" reviewed by Dr. Judith Schlesinger


The traditional road to musical success has been to make and promote a first recording, aiming for the kind of critical and public attention that leads to prestigious bandmates and gigs. But the fine pianist Andrea Domenici paves a new path with his masterful debut Playing Who I Am, since it arrives after he has already ...

1

Article: Radio & Podcasts

Henry Butler, Ethel Ennis & More

Read "Henry Butler, Ethel Ennis & More" reviewed by Joe Dimino


Gary Bartz kicks off the 585th episode of Neon Jazz with Heavy Blue. From there, we profile cats who have been a part of his world and growth like Miles Davis and Charlie Parker. Then, we get into a host of new and old tracks from the likes of Quinsin Nachoff, Chet Baker, Iris Ornig and ...

5

Article: What is Jazz?

2019 Winter JazzFest's Weekend Marathon: A Survival Guide

Read "2019 Winter JazzFest's Weekend Marathon: A Survival Guide" reviewed by Ludovico Granvassu


With each passing year, Winter JazzFest—New York's premiere jazz festival—has expanded the number of venues presenting an increasingly diverse array of musicians. There are several ways to approach a programme as dense and exciting as the 2019 edition of the two-day Marathon spanning January 11th and 12th. Thanks to an embarrassment of riches, festival goers face ...

15

Article: Interview

Jay Thomas: We Always Knew

Read "Jay Thomas: We Always Knew" reviewed by Paul Rauch


Legacy is a fleeting notion. It is incomprehensible in real time when a career hits high points, when certain doors open to quantitative opportunity. Jay Thomas can tell you a thing or two about that, based on his own personal experience as a jazz artist over half a century. His story includes playing on the Seattle ...


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